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A work made of chromogenic print.

Blue X, Pembroke, New York, October 1978

John Pfahl

A work made of watercolor, over graphite, on off-white watercolor paper.

New York, 1932

Reginald Marsh

A work made of photoetching.

Change of Address, August 1975

Keith Smith

A work made of chromogenic print.

Coal Depot, Duluth Harbor, Fall 1977

Stuart Klipper

A work made of chromogenic print.

Shiloh National Military Park, Pittsburgh Landing, Tennessee, 1978

William Eggleston

A work made of dye imbibition print.

Halloween, Morton, Mississippi, 1970

William Eggleston

A work made of chromogenic print.

Red Trailer, Livingston, Alabama, 1976

William Christenberry

A work made of engraving on ivory laid paper.

Ganymede, 1500/03

Giulio Campagnola

A work made of cotton, bobbin part lace of a type known as "honiton" with a plaited bar ground.

Collar, 1855/65

A work.

Panel, Mid–18th century

A work made of bound paper.

"Très Parisien", March 1934

A work made of chromogenic print.

Greene County Court House, Greensboro, Georgia, 1976

Stephen Shore

A work made of linen, plain weave; embroidered in renaissance or gobelin stitch and tent stitch.

Chairseat, c. 1925

Hortense Grenelle MacAlister

A work made of cotton, plain weave; drawnwork and punched work; machine executed.

Panel, 1940s

A work made of linen, knitted with attached glass beads and beaded fringe; metal handle and chain; lining: silk, plain weave.

Bag, 1875/1900

A work made of cotton or linen, plain weave; with needlework, drawn and pulled threadwork and tying tapes in needle lace.

Pointed Cap, c. 1930

A work made of cotton, plain weave; embroidered in cotton thread in chain and cross stitch (on both sides).

Bag, Late 19th/early 20th century

A work made of cotton, knotted square netting; embroidered in cloth stitch (lacis or filet work); edged with lopped netting.

Doily, 1850/1900

A work made of cotton, plain weave; embroidered.

Trial Sheet, 19th century

A work made of etching and engraving on greenish-ivory laid paper.

Le Petit Pont, Paris, 1850

Charles Meryon

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