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A work made of silk; appliqued; embroidered.

Bedcover, 19th century

A work made of linen, plain weave; quilted embroidered with silk floss in darning and back stitches; original silk fringe and tassels.

Bedcover, Late 17th century

Indo-Portuguese

A work.

Banner, 17th century

A work.

Banner, 18th century

A work.

Panel, 16th century

A work made of silk, warp-faced plain weave; warp-dyed (ikat); binding: plain weave; lining on reverse: cotton, warp-float faced satin weave.

Wall Hanging Composed of Three Panels, 1825/75

A work made of cotton, plain weave; block printed.

Panel, Late 19th century

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of linen, plain weave, in two thicknesses; cotton batting; quilted; embroidered in colored silk and metal strips wound around a silk fiber core in chain, satin, split, stem and couching stitches.

Hanging, 18th century

A work made of cotton, twill weave; embroidered with wool (crewel) in satin, link powdering and stem stitches; also embroidered with silk and metal strips wound around a silk fiber core in split and stem stitches; couching; bobbin lace border.

Bedcover, 1750/1800

A work made of cotton and metallic-foil-wrapped rayon and cotton; wrapped and oversewn with cotton in simple looping stitches.

Study Sample (Ball), 1950/91

Claire Zeisler

A work made of bronze.

Stupa Reliquary, About 14th/15th century

A work made of chiaroscuro woodcut in black, brown, and ocher on ivory laid paper.

Nymph of Fontainebleau, after 1545

Unknown

A work.

Canopy for a Bed, 18th century

A work.

Panel, 15th century

A work.

Panel, 16th century

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave.

Vestment (For a First-degree Taoist Priest), Qing dynasty (1644–1911), 1775/1850

Han-Chinese

A work made of 46 soft ground etchings in black, some heightened with wash, on ivory, blue, and buff wove papers, mounted onto 39 sheets of cream wove paper, ruled with pen and brown ink (with 5 unrelated prints).

Studies of Landscapes, 1810

François Thomas-Louis Francia

A work made of black chalk with stumping, heightened with touches of white chalk, on blue laid paper, laid down on ivory japanese paper.

The Triumph of Bonaparte, 1801

Pierre Paul Prud'hon

A work made of pen and brown ink, with brush and brown wash, on ivory laid paper.

Tobias and the Angel, 1500/77

Michel Joseph Speeckaert

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