Curator

  • Art Institute Chicago
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A work made of linen, wool, silk, rayon, nylon and acetate, plain weave with supplementary brocading wefts.

Two Forces Meeting and Opposing (Hanging), 1959

Lenore Tawney

A work made of black conté crayon on cream laid paper.

Falstaff, 1940

André Masson

A work made of etching on ivory wove paper.

Farmhouse in an Evergreen Forest, 1828

Johan Christian Clausen Dahl

A work made of brush and brown wash, over traces of graphite and black chalk (recto) and black chalk (verso) on ivory wove paper.

Bust of Male Nude (recto); Portrait Sketch of Man with Sketches of Women (verso), n.d.

Anne-Louis Girodet de Roussy-Trioson

A work made of pen and brown ink with brush and brown wash, heightened with white gouache, on cream laid paper, laid down on blue card.

Way to Calvary, n.d.

Jan van der Straet

A work made of engraving in black on ivory laid paper.

The Triumph of Christ, c. 1600

Johann Theodor de Bry

A work made of engraving in black on ivory laid paper.

The Venetian Wedding, 1585/1600

Johann Theodor de Bry

A work made of pen and brown ink, with brush and brown and blue ink washes, over traces of black chalk, on ivory laid paper.

Landscape with Two Men Walking, 1580/1631

Tobias Verhaecht

A work made of engraving in black on cream laid paper.

The Triumph of Bacchus, n.d.

Johann Theodor de Bry

A work made of etching on off-white wove paper.

Viba, 1929

Gerald Leslie Brockhurst

A work made of engraving in black on cream laid paper.

Three Bears, plate ten from Four-Legged Animals, 1594

Nicolaes de Bruyn

A work made of silk and cotton; warp-dyed, warp-faced plain weave (ikat).

Wall Hanging, 1801/50

A work made of cotton and linen, plain weave; screen printed.

Jamaica (Furnishing Fabric), 1950s

Angelo Testa

A work made of silk, rayon, and gilt-metal-strip-wrapped silk, twill weave, with patterning wefts bound in twill interlacing; woven on a loom with a jacquard attachment.

“Chevaux Marins, Baleines et Coquillages” (Sea horses, Whales and Shellfish), c. 1925

Raoul Dufy

A work made of linen, plain weave; embroidered with wool and silk in satin padded satin, split and stem stitches; french knots, laidwork and couching; beaded with linen threads and glass beads; painted details.

Table Frontal, 17th century

A work made of cotton, satin weave; block printed.

Panel, c. 1900

A work made of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by ground weft floats.

Panel, c. 1760s

A work made of silk and gilt-metal-strip-wrapped cotton, plain weave with creped wefts and supplementary patterning wefts; woven on a loom with a jacquard attachment.

Panel, 1920s

A work made of .1: suede; drawing in ink; joined to suede covered stone and wool felt with cotton in needle lace stitches; appliquéd with suede with cotton in buttonhole stitches .2 and .3: cut suede and stone attached and over sewn with cotton in buttonhole simple looping stitches .4: stone; covered with suede and embroidered with cotton in buttonhole and simple looping stitches.

Four Study Samples, 1973/1976

Claire Zeisler

A work made of wooden frame with nails wrapped and crossed with wool and silk; embroidered with wool and silk in back, overcast, single satin, and stem stitches; couching.

Unfinished Hanging, 1950/91

Claire Zeisler

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