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A work made of chiaroscuro woodcut in black, brown, and ocher on ivory laid paper.

Nymph of Fontainebleau, after 1545

Unknown

A work.

Canopy for a Bed, 18th century

A work.

Panel, 15th century

A work.

Panel, 16th century

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave.

Vestment (For a First-degree Taoist Priest), Qing dynasty (1644–1911), 1775/1850

Han-Chinese

A work made of 46 soft ground etchings in black, some heightened with wash, on ivory, blue, and buff wove papers, mounted onto 39 sheets of cream wove paper, ruled with pen and brown ink (with 5 unrelated prints).

Studies of Landscapes, 1810

François Thomas-Louis Francia

A work made of black chalk with stumping, heightened with touches of white chalk, on blue laid paper, laid down on ivory japanese paper.

The Triumph of Bonaparte, 1801

Pierre Paul Prud'hon

A work made of pen and brown ink, with brush and brown wash, on ivory laid paper.

Tobias and the Angel, 1500/77

Michel Joseph Speeckaert

A work made of pen and brown ink on ivory paper, laid down on ivory laid paper.

Landscape with Tree in Center, n.d.

Cornelius Massys

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on ivory laid paper, laid down on ivory wove paper.

Saint Mark the Evangelist, n.d.

Maarten de Vos

A work made of green velvet with conventional baroque interlacing flower and stem design in appliqué; red velvet borders, top and sides; red and black embroidered design; metal fringe does not appear to be of the period.

Altar Frontal, 17th century

A work made of silk, velvet; cut, voided; additional brocading wefts in gilt strip (wound around silk fiber core) forming loops where required; gilt galloon trim and crosses; two attached silk cords, knotted and fringed.

Stole, 15th century

A work.

Fragment (Border)

A work made of metalcut and letterpress in black with rubrication (recto/verso) on vellum.

The Martyrdom of Saint John the Evangelist (recto), and December Calendar (verso), from Book of Hours, 1496/97

Philippe Pigouchet

A work made of silk, wool, and cotton, warp threads dyed in multiple colors prior to weaving; center of 2:2 's' twill weave; patterned areas of warp-float faced 3:1 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; woven on loom with jacquard attachment.

Square Shawl, c. 1850

A work made of cotton and rayon, cotton chenille and rayon bouclé wool, plain weave self-patterned by main warp and ground weft floats; knotted warp fringe.

Honeycomb (Sampler), 1960s

Mary Beth Werner

A work made of raffia, plain weave; pieced; appliquéd with plain weave in pearl stitches; edged with cut fringe.

Ceremonial Skirt, 1900/25

Kuba

A work made of silk, warp-float faced broken twill weave with supplementary pile warps forming cut solid velvet; applizued with warp-float faced satin weave backed in linen, plain weave embroidered with silk in overcast, satin, split, and stem stitches; couching and french knots; painted; edged in warp-faced weft-rib plain weave with ground weft cut fringe.

Pall, 17th century

A work made of cotton, plain weave; roller printed; pieced; quilted.

Bedcover, 1850/1900

Lorinda Gilbert

A work made of wool, twill weave; embroidered with wool in detached chain, roumanian, satin, surface satin and stem stitches; edged with buttonhole-stitched loops and woven cut fringe.

Bedcover, 1824

Mercy Post

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