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A work made of etching on white wove paper.

Portrait of Mary Reynolds, 1947

Jacques Villon

A work made of graphite, over lithograph, on tan wove paper.

C'est La Vie / Le Marchard d'Ucel, 1931

Max Ernst

A work made of gelatin silver print.

Mary Reynolds, c. 1919/50

Man Ray (Emmanuel Radnitzky)

A work made of gelatin silver print.

Optical Parable (Parábola óptica), 1931, printed later

Manuel Alvarez-Bravo

A work made of gelatin silver print.

The Crouched Ones (Los agachados), 1934

Manuel Alvarez-Bravo

A work made of pen and black ink, with finger smudging, on white wove paper, laid down on cream wove paper.

Jean Desbordes, 1928

Jean Cocteau

A work made of relief engraving or photo relief etching on green wove paper.

Gran fandango y francachela de todas las calaveras (Grand Dance and Wild Party of All the Calaveras), c.1900

José Guadalupe Posada

A work made of pen and black ink, on ivory wove tracing paper.

Maison de Santé, n.d.

Jean Cocteau

A work made of gelatin silver print.

Ladder of ladders (Escala de escalas), 1931

Manuel Alvarez-Bravo

A work made of gouache, and pen and black ink, on off-white wove paper.

Untitled, 1938

Yves Tanguy

Black-and-white photograph of Mexican painter Frida Kahlo Rivera looking into the distance with a half-smile. She is topless, but as she leans forward holding a cigarette, elbow on her knee and chin in her hand, her breasts are obscured. She wears jewelry and a large white flower in her hair.

Frida Kahlo Rivera, c. 1935

Julien Levy

A work made of full sienna, pink, and beige goatskin with cotton cord, grey-card onlays with trial stamps of a typographic plate made for duchamp's box in a valise. endpapers printed in pochoir with fern-leaf pattern and hand-drawn insects in black ink.

Rrose Sélavy, Published 1939; rebound 1940-1941

Mary Reynolds

A work made of full red morocco binding with raised bands; author and title stamped in gold on spine; endpapers of trial proofs for marcel duchamp's 1935 cover of minotaure; original paper covers bound in.

Loin de Rueil (Skin of Dreams), Published 1944; rebound 1945-1950

Mary Reynolds

A work made of full tan morocco binding; boards die cut in the shape of u; onlays on spine in shape of b; black silk endleaves; crown stamped in gold on front endleaf; author stamped in gold on back endleaf; gilt edges; original paper covers bound in.

Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts), Published 1921; rebound 1934-1935

Mary Reynolds

A work made of full vellum with gold stamping on black-calfskin label; wine-colored, glazed-paper endpapers; inscription and drawing by cocteau.

Dessins (Drawings), Published 1924; rebound 1930-1942

Mary Reynolds

A work made of quarter vellum with white paper decorated with fleurs-de-lis; endpapers decorated with gold fleurs-de-lis; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by cocteau.

Les chevaliers de la table ronde: Pièce en trois actes (The Knights of the Roundtable: A play in three acts), Published 1937; rebound 1937-1942

Mary Reynolds

A work made of full green morocco binding; horizontal onlay across covers and spine; broken china teacup handle attached by onlay to spine; title stamped in gold on front cover; author stamped in gold on back cover; marbled endpapers; original paper covers bound in.

Saint Glinglin: précédé d'une nouvelle version de Gueule de Pierre et des Temps mêlés: Roman (Saint Glinglin: Preceded by a New Version of Stone Mount and Mingled Time: A Nove), Published 1949; rebound 1949-1950

Mary Reynolds

A work made of quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in.

Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days), Published 1936; rebound 1936-1942

Mary Reynolds

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

A work made of full black calfskin with raised bands and gold stamping; agate-marbled laid paper endpapers.

Les Derniers jours: Roman (The Last Days: Novel), Published 1936; rebound 1936-1950

Mary Reynolds

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