Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph in black on cream wove paper.

Leaving the City II (Z mesta von II), 1970

Rudolf Sikora

A work made of offset lithograph in black on cream wove paper.

Leaving the City (detail) (Z Mesta Von I (detail)), 1970

Rudolf Sikora

A work made of single-channel video, color, and audio installation; 15 min. 3 sec..

I hear you, I hear you., 2024

Nora Turato

A work made of lithograph in black on cream wove paper.

Leaving the City III (Z mesta von III), 1970

Rudolf Sikora

A work made of oil on canvas on panel.

Untitled (08-21), 2008

Rebecca Shore

A work made of human bone in glass bell jar.

Kneeler, 1997

Charles Le Dray

A work made of digital print on white wove paper.

The Mother of Us All, 2007

Sherrie Levine

A work made of pen and brush and black ink, with black crayon and traces of white correction fluid, on ivory wove card.

Anybody with an appetite like that is bound to spill some, 1989

Bill Mauldin

A work made of tongue and groove #741 knotty pine and front-faced mirror.

Mirror Series, 1986

John Knight

A work made of letterpress on white wove paper.

Weeping Lincoln, 1963, printed 2007

Bill Mauldin

A work made of oil on canvas.

#80 After-image: Metronome, 1973

Jacqueline Gourevitch

A work made of colored pencils and fabricated charcoal on black wove paper.

Departure (with the Sled), c. 1950

Richard Oelze

A work made of digital video projection; 14 min. loop.

6th Light, from the series The 7 Lights, 2007

Paul Chan

A work made of stone, wire, ultramarine paint.

Toward the Ultramarine (Verso oltremare), 1984

Giovanni Anselmo

A work made of patterned side: silk, plain weave; stenciled and resist dyed; lined with silk, plain weave; interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; silk-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

Wall installation of black outlined green letters spelling out phrase in English.

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, 1980

Lawrence Weiner

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut, photomechanically printed papers, with traces of black porous-tip pen.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

<<<851852853854 >>>