Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gilt bronze, marble, and glass.

Girandoles, 1848–51

Isaac F. Baker

A work made of green-stained oak with caned inserts.

Armchair, 1894–96

David Wolcott Kendall

A work made of rosewood, walnut, tulip poplar, glass, and marble.

Sideboard, 1850–57

Alexander Roux

A work made of marble.

Pocahontas, 1868

Joseph Mozier

A work made of pressed glass.

Compote with Lid in the Pioneer Pattern, 1876–86

Gillinder and Sons

A work made of oil on canvas.

Venice (Staircase) [Venedig (Treppe)], 1985

Gerhard Richter

A work made of bronze.

Candelabrum, 1902

Jessie M. Preston

A work made of bronze.

Inkwell, c. 1912

Jessie M. Preston

A work made of bronze, favrile glass, and shell.

“Crab” Inkstand, c. 1905

Tiffany Studios (Firm)

A work made of acrylic on plexiglas, with painted artist's frame.

Sky Dive, 1973

Barbara Rossi

Temple Strut with Bodhisattva Standing on a Lion

Temple Strut with Bodhisattva Standing on a Lion, 18th century

Temple Strut with God Shiva on His Bull

Temple Strut with God Shiva on His Bull, 18th century

Masquerade Costume for Egungun (Paka)

Masquerade Costume for Egungun (Paka), Late 19th/early 20th century

Yoruba

A work made of oil on canvas.

Slender Woman with Vase, 1894

Jozseph Rippl-Rónaï

A work made of variable media.

Church of All Nations, 1967/74

Bertrand Goldberg

A work made of sepia print on paper.

Church of All Nations, Boston, Massachusetts, Exterior Perspective, 1967/73

Bertrand Goldberg

A work made of color woodblock print; o-oban.

The Famous Places on the Tokaido in One View (Tokaido meisho ichiran), 1818

Katsushika Hokusai

A work made of color woodblock print; chuban.

Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gelatin silver print.

Oil Refinery, 1982

Roger Vail

A work made of gelatin silver print.

Ringling Brothers-Barnum and Bailey Circus, International Amphitheatre, Chicago, 1966

Roger Vail

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