Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of collage of halftone prints, lined paper, graphite, and adhesive tape on matboard.

Hite/Hustler Fashion Beaver Hunt #8, 1981

Robert Heinecken

A work made of dye imbibition print.

Sunflowers, c. 1940

Edward Steichen

A work made of chromogenic print with airbrushed gouache.

The Other Series; After Durer, 1989

Kathleen Grove

A work made of bronze.

Mirror with a Handle in the Form of a Female Figure, 3rd century BCE

Ancient Etruscan

A work made of photogravure.

Untitled, 1969

Arnold Gassan

A work made of etching on cream wove paper.

Pont-à-Marcq, Enghien, 1850

Jan-Théodor-Joseph Linnig

A work made of etching on cream wove paper.

Study of a Resting Cow, 1813

Jan Kobell, II

A work made of etching on cream wove paper.

Landscape with Large Tree, in Background a Ruin, n.d.

Johann Christian Klengel

A work made of etching on chine collé, laid down on board.

A Burgundy Trout Stream, n.d.

Victor Louis Focillon

A work made of etching on cream laid paper.

Cow and Two Sheep in a River, n.d.

Jan Kobell, II

A work made of engraving on chine collé, laid down on ivory wove paper.

Suzanne at her Bath, n.d.

Jean Charles Thevenin

A work made of etching on tan wove paper.

Lowtide, Bay of Fundy, n.d.

Stephen Parrish

A work made of etching on tan wove paper.

Fishermen's Houses, Cape Ann, 1881

Stephen Parrish

A work made of drypoint on cream wove paper.

Friday Soup Distribution, Rue de Calais, Paris, 1899

Edgar Chahine

A work made of earthenware, transfer-printed (creamware).

Plate, 1800/50

Creil Pottery

A work made of oil on canvas.

Dogs Chasing Each Other, 1929

Arthur Dove

Her Grace the Dutchess of Devonshire and the Viscountess Duncannon

Her Grace the Dutchess of Devonshire and the Viscountess Duncannon, 1782

William Dickinson

Earthenware plate decorated with central landscape scene and grapevine pattern on rim in greenish black. The forest scene is accompanied with a cursive inscription "Vue de la Glaciere" at the bottom.

Plate, 1800/50

Creil Pottery

Semiabstract painting with a vertical gradient of a quadrangular white form framed at right and left by two blue triangles.

From a Day with Juan IV, 1977

Georgia O'Keeffe

A work made of encaustic on canvas.

A Reasonable Facsimile, 1942

Arthur Dove

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