Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of digital video projection; 14 min. loop.

6th Light, from the series The 7 Lights, 2007

Paul Chan

A work made of stone, wire, ultramarine paint.

Toward the Ultramarine (Verso oltremare), 1984

Giovanni Anselmo

A work made of oil on linen, stretcher bars, watercolor paper, and leather belt.

F of J, 2016

Mike Cloud

A work made of patterned side: silk, plain weave; stenciled and resist dyed; lined with silk, plain weave; interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; silk-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

Wall installation of black outlined green letters spelling out phrase in English.

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, 1980

Lawrence Weiner

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut, photomechanically printed papers, with traces of black porous-tip pen.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut and pasted color offset lithographs.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers, with traces of red porous-point pen.

Untitled, 2019

Elisabeth Wild

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

Two with Any To, #14

Two with Any To, #14, 1999

Richard Tuttle

A work made of cotton, plain weave; pieced with cotton, plain weave; quilted in hand stitching; batting; backed with cotton, plain weave.

"Dresden Plate" Quilt, 1900-25

Ruth B. Skinner

A work made of cotton, variety of plain weaves; some self-patterned; some with supplementary patterning; some with areas of twill weave; some with areas of satin weave; some printed in a variety of techniques; pieced; quilted.

Bedcover, 1912-13

Erna E. (Hucke) Postel

A work made of cotton, plain weave; pieced with cotton, plain weave; quilted in hand stitching; batting; backed with cotton, plain weave; binding of cotton, plain weave.

"Double Wedding Band" Quilt, 1900-25

Ruth B. Skinner

A work made of silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed.

"Celebrity Ties" Quilt, 1980-82

Grace C. Wagner

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