Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Three from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Seven from "The Incredible Bulk", 1979

Angelo Torres

A work made of pen and black ink, with blue and gray fiber-tipped pen, ruled with blue fiber-tipped pen over graphite on white card; notations in black and red fiber-tipped pen with correction in white correction fluid.

Panel Six from "The Incredible Bulk", 1979

Angelo Torres

A work made of pen and black ink, and brush and colored ink washes, with touches of opaque white, on ivory wove paper laid down on ivory card, with squares of yellow ink on the card corresponding to openings in the primary support.

Untitled (Bloody Sword Battle), c. 1980

Marie Severin

A work made of pen and black ink on cream wove paper.

Toy Trumpets, c. 1960

Robert Day

A work made of graphite with brush and gray wash and black crayon on cream wove paper.

"You rang, sir?", c. 1960

Bob Kraus

A work made of pen and black ink, with brush and red wash, over graphite, on cream wove paper, caption in red ballpoint pen.

Recreation Room, c. 1960

Stan Fine

A work made of steel and leather.

Shaffron, 1540/70

A work made of steel.

Half-Shaffron, c. 1560

A work made of steel and leather.

Shaffron, c. 1520

A work made of steel.

Shaffron, 19th century in Italian style of c. 1560

A work made of wood, leather, canvas.

Armored Saddle, early 17th century

A work made of wood, velvet, canvas, silver thread, gilt brass, leather.

Saddle, late 18th century, possibly 19th century(?)

A work made of aquatint with soft ground etching, in orange-brown and brown, from a zinc plate, on paper.

Reclining Nude Woman, 1902

Théophile-Alexandre Pierre Steinlen

A work made of non-photo blue pencil and pen and black ink on ivory wove paper.

Untitled, 1981

Raymond Pettibon

A work made of charcoal with stumping, erasing, and incising on ivory laid paper.

The Genius of Painting, n.d.

Gabriel Jacques de Saint-Aubin

A work made of stucco.

Head of Buddha, 3rd/4th century

A work made of color lithograph on cream wove paper.

Pas de Deux, 1952, published 1954

Gino Severini

A work made of charcoal with stumping, and with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card.

Lattice Work and Reflecting Pool at Arcueil, 1744/47

Jean-Baptiste Oudry

A work made of pen and brown iron gall ink, over charcoal, on ivory laid paper, laid down on cream card.

Landscape with a Large Tree on the Right and a Distant View of a Town on the Left, n.d.

Giovanni Francesco Grimaldi

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