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A work made of gelatin silver print.

Die Befreiung der Finger (Liberation of the Fingers), 1977/79

Dieter Appelt

A work made of gelatin silver print, from "erinnerungsspur (memory's trace)".

Hole in the Snow (Schneeloch), 1977/79

Dieter Appelt

A work made of photogravure of photomontage by heartfield, published in aiz 14, number 12, march 21, 1935.

Untitled (Diagnosis), 1935

John Heartfield

A work made of gelatin silver prints (2).

Fast and Slow Rain, 1974

Robert Cumming

A work made of gelatin silver print.

Untitled, 1928/29

Walter Hege

A work made of gelatin silver print.

Hindquarter of Horse - West Frieze, Parthenon, 1928/29

Walter Hege

A work made of etching on ivory laid paper.

Landscape with a Cottage and a Large Tree, 1641

Rembrandt van Rijn

A work made of cotton, plain weave; roller printed; glazed and calenderized.

"The Bombardment of Algiers" (Furnishing Fabric), After 1816

A work made of oil on canvas.

Heaven, 2004

Mary Heilmann

A work made of woodblock print.

Greek Nude and Tang Period Flying Horse (Rafu To Temma), 1974

Hiratsuka Un'ichi

A work made of gelatin silver print.

Die Befreiung der Finger (Liberation of the Fingers), 1977/79

Dieter Appelt

A work made of gelatin silver print.

Die Befreiung der Finger (Liberation of the Fingers), 1977/79

Dieter Appelt

A work made of gelatin silver print.

Die Befreiung der Finger (Liberation of the Fingers), 1977/79

Dieter Appelt

A work made of gelatin silver print.

Untitled, c. 1929

Albert Renger-Patzsch

A work made of woodblock print.

Angel Dreaming Room, 1971

Hiratsuka Un'ichi

A work made of gelatin silver print.

The Porch of the Maidens, 1928

Walter Hege

A work made of etching on cream wove paper.

The Riva, Looking Towards the Caserna, 1880

Frank Duveneck

A work made of hand-colored lithograph in blue and green on cream wove paper.

The Dance (Dancers and Bathers at the Forest Pond), 1912

Max Pechstein

A work made of woodblock print.

Bunraku Doll Yaeya Oshichi, 20th century

Hiratsuka Un'ichi

A work made of two loom widths joined: cotton, warp resist-dyed (warp ikat) plain weave with discontinuous supplementary and discontinuous complementary patterning wefts.

Woman's Tunic, c. 1900

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