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A work made of color woodblock print; sheet from oban tetraptych.

The Actor Nakamura Karoku I as Fujiya Azuma, 1827

Shunshosai Hokucho

A work made of etching with foul biting in dark brown ink on ivory laid paper.

The Village Sweet Shop, 1886

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Traghetto, No. 2, 1880

James McNeill Whistler

A work made of etching on cream japanese paper tipped at the top to cream laid paper.

The Delicatessen Maker, 1917

John W. Winkler

A work made of etching with foul biting in black ink on ivory laid paper.

Wych Street, London, 1877

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink, with graphite additions along shoulder and sleeve at left, on off-white wove paper.

Ross Winans, 1860

James McNeill Whistler

A work made of drypoint in black ink on ivory japanese paper.

Whistler with a Hat, 1859

James McNeill Whistler

A work made of watercolor, with touches of gouache, over graphite, on cream wove paper.

Fairy Land, 1881

Gustave Doré

A work made of earhtenware with molded decoration.

Model of a Coffin with Figures, Han dynasty or earlier

A work made of etching in black on ivory laid paper.

1588, 1912

James McBey

A work made of etching on ivory laid paper.

Four Sailing Vessels in a Breakwater, from Thirteen Naval Scenes, 1650/64

Reinier Nooms, called Zeeman

A work made of etching in black on cream wove paper, tipped at the top to cream wove paper.

Shrimp Wagon, 1917

John W. Winkler

A work made of etching on cream wove paper tipped at the top two corners to off-white wove paper.

Irmgard, 1917

John W. Winkler

A work made of silk, silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and supplementary binding warps tying some self-patterning ground wefts in plain interlacing.

Panel (Showing "Lace" Design), c. 1726

A work made of engraving in black on ivory laid paper.

The Bag-Piper, 1514

Albrecht Dürer

A work made of crimson cut velvet on red satin ground; pile on pile voided twill velvet.

Strip, 15th century

A work made of velvet, cut voided.

Cushion Cover, 19th century

A work made of silk, plain weave..

Obi (Sash), 19th century

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading and patterning wefts tied by supplementary binding warps in weft-float faced 4:1 and 2:3 twill interlacings.

Two Fragments (From a Chasuble), c. 1725/28

A work made of drypoint on white wove paper.

At the Ball, 1968

Jack Levine

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