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Six-folded screen decorated on the upper level with full-height figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Summer (Panel Six), c. 1820

A work made of relief etching in red, orange, and brown on cream wove paper.

La terra, n.d.

Arthur Luiz Piza

A work made of relief etching on beige toned, white wove paper.

Untitled, n.d.

Arthur Luiz Piza

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Asia (Panel Three), c. 1820

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Winter (Panel One), c. 1820

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: America (Panel Five), c. 1820

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Europe (Panel Two), c. 1820

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Africa (Panel Four), c. 1820

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Josef Hillerbrand

Print of a woman in a blue, patterned dress, seated at a desk and licking an envelope closed.

The Letter, 1890–91

Mary Cassatt

Print in tan, brown, and gray of a woman by a mirror in a cream dress while another kneels, tending to her hem.

The Fitting, 1890–91

Mary Cassatt

Half-disrobed woman viewed from behind washes in a basin in front of a vanity mirror. The rug and pitcher to her left both have a graphic floral motif.

Woman Bathing, 1890–91

Mary Cassatt

A work made of tin-glazed earthenware (faience).

Plate, 18th century

A work made of tin-glazed earthenware.

Dish, c. 1700

Frankfurt-am-Main Pottery

A work made of tin-glazed earthenware (faience).

Plate, c. 1700

A work made of tin-glazed earthenware (faience).

Plate, 1680/1700

A work made of tin-glazed earthenware (faience).

Bowl, c. 1700

Frankfurt-am-Main Pottery

A work made of tin-glazed earthenware (delft).

Covered Bowl, c. 1700

A work made of tin-glazed earthenware (faience) and metal mount.

Cider Jug, c. 1760

A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

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