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A work made of cotton and wool, plain weave double cloth with main warp and extended ground weft fringe; woven on loom with jacquard attachment.

Coverlet, 1840-45

A work made of linen, plain weave; edged with needle lace worked on a plain weave; cut and drawn work grid; reticella pattern and bobbin straight lace points.

Handkerchief, 1601/50

A work made of silk, warp-float faced 4:1 satin weave with weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts; edged with silk covered linen cord.

Cover, Empire period, 1808/14

A work made of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill interlacings.

Circular Chair Seat, c. 1780

Philippe de La Salle

A work made of linen, plain weave; printed.

Handkerchief, 1825/75

A work made of silk, warp-faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:3 twill interlacings.

Panel, Empire period, c. 1800

A work made of silk, warp-float faced twill weave; edged with silk, bobbin straight lace.

Handkerchief, c. 1900

A work made of silk, satin weave self-patterned by ground weft floats; block or screen printed.

Panel, Before 1913

Raoul Dufy

A work made of silk and cotton, warp-float faced 7:1 satin weave with weft-float faced 1:3 'z' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground weft.

Panel in Japanese Style, 19th century

Tassinari et Chatel

A work made of silk, double-faced two-color complementary weft 1:3 warp chevron twill weave.

Man's Belt, 1925/75

A work made of silk, and gilt-and silvered-metal-strip -wrapped cotton, plain weave with creped warps and wefts, and supplementary brocading wefts.

Panel, 1920s

Henry Bertrand & Cie.

A work made of cotton, plain weave; screen printed.

Elfenbein (Ivory) (Dress or Furnishing Fabric), 1927

Wiener Werkstätte

A work made of two loom widths joined: cotton and wool, plain weave double cloth with main warp and extended ground weft fringe; probably woven on loom with jacquard attachment.

Coverlet, 1840-45

A work made of cotton, plain weave; block printed.

Elephants, 1930

Paul Poiret

A work made of linen, plain weave; embroidered with linen and silk in crossed back and stem stitches.

Panel, 1350-1375

A work made of cotton, undulating plain weave with areas of warp floats; two loom width joined.

'Honeycomb' Coverlet, c. 1840

Else Regensteiner

A work made of center sides: silk, plain weave with supplementary warps; center: silk, plain weave; center upper and lower thirds: silk, plain weave with two-color supplementary patterning wefts bound in plain interlacings; ends: bands of 2:2 twill weave self-patterned by ground weft floats.

Woman's Headcover or Veil (Ajar), Mid–19th century

Hispano-Islamic

A work made of chasuble: silk and gilt-metal-strip-wrapped silk, plain weave with supplementary patterning wefts; orphrey cross: silk, plain weave with gilt-metal-strip supplementary facing wefts; embroidered in silk, gilt-metal-strips, gilt-metal-strips wrapped with gilt-metal-wire and gilt-metal-strip-wrapped silk, couching and padded couching over bast fiber padding; edged with silk, plain weave with gilt-metal-strip-wrapped silk supplementary facing wefts with extended weft uncut fringe; lined with silk, plain weave.

Portion of Chasuble Back, Late 16th/early 17th century

A work made of cotton, plain weave; backed with cotton, plain weave; quilted with cotton in raised areas (trapunto).

Bedcover, 1825/50

A work made of linen, jute and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Carpet, 1902/03

Josef Hoffmann

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