Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite, with touches of erasing, on gray wood-pulp laminate board.

Mr. and Mrs. Raymond Johnson, 1893

Anders Zorn

A work made of red chalk (recto and verso) on tan laid paper.

Kneeling Figure from the Back (recto); Three Half-length Studies of Veiled Female Figure (verso), 1595/1600

Andrea Boscoli

A work made of pen and black ink, with brush and gray wash and black crayon, over graphite, on cream laid paper.

Seated Man with Extended Left Arm, n.d.

Félicien Rops

A work made of red chalk on ivory laid paper.

Landscape of the Italian Campagna, 1780

Jens Petersen Lund

A work made of pen and brown ink with brush and grayish-brown wash, on ivory laid paper.

Studies for the Deposition, c. 1555

Aurelio Luini

A work made of gouache with pen and black ink, on ivory wove paper, laid down on white japanese paper.

The Corner of the Balcony, c. 1877

Alfred Stevens

A work made of pen and brown ink with brush and gray wash, and traces of black chalk, on ivory laid paper.

Studies for Prophets in Spandrels, c. 1555

Aurelio Luini

A work made of pen and brown ink with traces of black chalk on cream laid paper.

Twelve Children Dancing, 1517

Domenico Campagnola

A work made of pen and brown ink and brush and brown wash, heightened with gold metallic paint, on blue laid paper, laid down on thin tan laid paper.

The Entombment of Christ, 1595/1600

Jacopo Negretti, called Palma Giovane

A work made of red chalk, heightened with white, with traces of incising, on brown laid paper, laid down on cream card.

Venus with Cupid and Putto, 1527/30

Parmigianino

A work made of pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper.

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Vittore Carpaccio

A work made of pen and brown ink, with brush and brown wash, with graphite, on ivory laid paper, laid down on ivory laid card.

Study for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and Verona, with Doge Francesco Venier Presenting Them, c. 1593

Jacopo Negretti, called Palma Giovane

A work made of pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on cream laid paper, laid down on ivory laid paper.

Sacrifice of a Bull, n.d.

Francesco Primaticcio

A work made of colored pencils and black chalk on tan wove paper.

Exasperated Soldiers Exchanging Blows, 1891

James Ensor

A work made of charcoal with black crayon, over traces of incising (recto), and charcoal (verso), on cream wove paper.

Sheet of Sketches with a Plaster Cast (recto); Shet of Sketches: Profile Heads and Hands (verso), 1882

James Ensor

A work made of pen and brown ink, on ivory laid paper, laid down on ivory laid paper.

Andriana Palma and Diogenes the Cynic, 1596

Jacopo Negretti, called Palma Giovane

A work made of pen and black ink, with brush and black gouache, on cream wove paper.

Self-Portrait (replica), 1886

James Ensor

A work made of brush and black and gray wash, over touches of graphite, on tan wove paper.

A Boat Tied to a Pier, 1892

Edvard Munch

Wedding of a couple. Minister in black, bride in red, groom in black with a wall of flowers in red, purple, and yellow behind them. Witnesses look on from the sides.

Mantelpiece Still Life, c. 1880–1882

James Ensor

A work made of blue crayon on paper.

Self-Portrait, n.d.

Edvard Munch

<<<597598599600 >>>