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A work made of etching on white japanese paper.

Plate Ten, from Petit Traite de Morale, 1968

Hans Bellmer

A work made of brush and white gouache on black wove paper, tipped on pink wove paper (faded to salmon).

Untitled, 1936

Hans Bellmer

A work made of pen and brown ink with gouache and watercolor on paper.

Child and Seeing Hands, c. 1950

Hans Bellmer

Painting of a burgundy-colored room with a small table in the center that is decorated with odd, colorful symbols and holds a boar's head and a variety of fruit. Behind the table, three mysterious figures and two horses peer out from inside a golden frame.

Design for the Tempest, c. 1959

Leonora Carrington

A work made of lithograph in black and white ink printed on gray ink, on cream wove paper.

Untitled, 1955

Hans Bellmer

A work made of pen and black ink and watercolor on a white envelope, with cut and pasted red paper and postage stamp.

Untitled (Envelope Decorated with Figures on a Yellow Background), 1948

Edward Gorey

A work made of pen and black ink, over graphite, on ivory laid paper.

Coitus, 1931

Salvador Dalí

A work made of collage composed of cut engraved elements on tan wove paper, laid down on cream wove card.

The Chorus of the Shipwrecked: And the Day Doesn't Exist at All, 1929/30

Max Ernst

A work made of lithograph on white wove paper.

Blue over Orange, 1964–65

Ellsworth Kelly

A work made of acrylic over graphite on off-white wove paper.

Composition with Orange Forms, 1960

Leon Polk Smith

A work made of color lithograph from two stones on grayish tan laid paper.

A Slice of the Stone Itself, 1969

Helen Frankenthaler

A work made of transfer lithograph on ivory wove paper.

Grape Leaves II, 1973–74

Ellsworth Kelly

A work made of graphite on off-white wove paper.

Branch of Leaves, 1970

Ellsworth Kelly

A work made of collage of commercially prepared papers and mixed media on white 2-ply board.

Untitled, 1998

Arturo Herrera

A work made of color woodcut from eight lauan mahogany plywood blocks on buff laminated nepalese paper.

Savage Breeze, 1974

Helen Frankenthaler

A work made of pen and black ink, with charcoal, heightened with lead white (discolored), on tan laid paper,  tipped onto cream laid paper.

Madonna and Child, n.d.

Jan Gossart

A work made of pen and brown ink, with graphite, on buff laid paper, laid down on ivory wove paper.

Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso), n.d.

Bartolomeo Passarotti

A work made of lithograph in black on grayish-ivory wove china paper.

Cover of L'Estampe originale, with notes, 1893

Henri de Toulouse-Lautrec

A work made of charcoal, with colored crayons, on tan wove paper.

Study, c. 1893

Henri de Toulouse-Lautrec

Abstract etching of circular forms assembled into groups against a background of dense crosshatch marks.

Globes, 1930

Jacques Villon

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