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A work made of charcoal, heightened with touches of white chalk, on gray laid paper.

Massacre of the Innocents, 1585/1600

Circle of Titian

A work made of pen and black ink, with brush and gray and brown wash, over red chalk, partially squared in graphite and red chalk (recto), and red chalk (verso), on ivory laid paper.

Design for a Ceiling: Apotheosis of Callisto or Diana (recto), and Sketch of Figures (verso), 1731

Jacob de Wit

A work made of watercolor, with black chalk, touches of red chalk, and wiping, on cream wood-pulp card.

A Long Road, n.d.

Jozef Israëls

A work made of pen and brown ink, over graphite, on cream laid paper, laid down on ivory laid paper.

Plants at Water's Edge, c. 1800

Carl Wilhelm Kolbe, the elder

A work made of graphite on tan wove paper.

Baden-Baden, n.d.

Christian Grabau

A work made of red chalk on ivory laid paper.

Sketches of a Lute Player and Lute, 1756

Jan Anton Garemyn

A work made of pen and brown ink and brush and brown ink wash, with black chalk, brush and gray wash, and opaque white watercolor, on pieced cream laid paper.

The Goatherd Lamon Handing the Infant Daphnis to His Wife Myrtele, after 1606

Ambroise Dubois

A work made of graphite and blue, yellow, brown, and red pencil on off-white laid paper.

Aunt Tonl, c. 1795

Wilhelm Alexander Wolfgang von Kobell

A work made of pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper.

Villa of Maecenas at Tivoli, c. 1627

Bartholomeus Breenbergh

A work made of pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid paper, laid down on ivory wove card.

Marriage of the Virgin, c. 1575

Follower of Parmigianino

A work made of black and white chalk on paper.

Death Mask, n.d.

Georg Christoph Eimmart, the Younger

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid paper.

Procession of Nuns and Novices Honoring a Male Saint, n.d.

Giovanni Balducci

A work made of graphite, heightened with white goauche (recto and verso), on tan wove paper.

The Chronicler (recto and verso), April 5, 1888 (recto); April 6, 1888 (verso)

Max Klinger

A work made of watercolor, with graphite and touches of gouache, heightened with touches of white goauche, on ivory watercolor paper.

Peasant Plowing, n.d.

Anton Mauve

A work made of manuscript cutting in tempera and colored inks, with floral cutouts, and hebraic inscriptions in brown and black inks, on vellum.

Illuminated Jewish Marriage Contract Fragment in Aramaic, 18th century

A work made of pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper.

Seated Female Nude, 1647/78

Samuel van Hoogstraten

A work made of pen and brown ink on buff laid paper, laid down on cream wove card.

First Family Before a Shelter, 1547/48

Baccio Bandinelli

A work made of red chalk, over traces of charcoal, ruled in pen and brown at edges, on cream laid paper.

Study of a Male Nude, n.d.

Adriaen van de Velde

A work made of charcoal, heightened with white chalk, on cream wove paper, laid down on woodpulp laminate board.

Scholar Sitting in a Chair, n.d.

Jozef Israëls

Minerva and the Muses

Minerva and the Muses, n.d.

John Conrad Geiger

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