Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of offset lithograph, from the portfolio "higher beings command (höhere wesen befehlen)".

Bread Palm (Brotpalme), 1966

Sigmar Polke

A work made of aquatint in blue and black on cream wove paper.

Winter Moon, 1918

Martin Lewis

A work made of wood engraving in black on cream japanese paper.

A Woman, 1937

Paul Landacre

A work made of lithograph in black on cream wove paper.

Trapeze Girl, 1936

Yasuo Kuniyoshi

A work made of gelatin silver print.

When Chaman took Ayesha from me, I could not bear the pain, so I would go to the graveyard to tell my pain to the dead people and my only friend Dayanita who liked the old Hindi film songs that I sang for her, from the series "Myself Mona Ahmed", 1998, printed 2008

Dayanita Singh

A work made of gelatin silver print.

When I started to live in the graveyard, my own blood family thought I was crazy and admitted me to the mental asylum. I came here because I could not bear the false glamor of city life. I hated the pretense that people put on, from the series "Myself Mona Ahmed", 1998, printed 2008

Dayanita Singh

A work made of gelatin silver print.

We lie around like a normal mother and daughter, from the series "Myself Mona Ahmed", 1992, printed 2008

Dayanita Singh

A work made of lithograph in black on ivory wove paper.

Bucks County, 1935/43

Bernard Joseph Steffen

A work made of lithograph in black on cream wove paper.

Blown Soil, 1935/43

Bernard Joseph Steffen

A work made of etching in black on cream wove paper.

The Bandit's Cave, from Six American Etchings (series one): The New Republic, 1924

John Sloan

A work made of lithograph in black on cream wove paper.

The Pool, 1933

Robert Riggs

A work made of engraving in black on white wove paper.

Manhattan Rooftop in Moonlight, 1980

Armin Landeck

A work made of drypoint in black on cream wove paper.

Play, from Six American Etchings (series one): The New Republic, 1924

Kenneth Hayes Miller

A work made of etching in black on cream wove paper.

Sentinels of North Creek, from Six American Etchings (series one): The New Republic, 1924

Ernest Haskell

A work made of lithograph in black on ivory wove paper.

Untitled, c. 1945

Jolán Gross-Bettelheim

A work made of watercolor and opaque watercolor on cream laid paper.

Snowy Fields, c. 1935

Wanda Gág

A work made of wood engraving in black on cream wove paper.

Subway, 1934

Fritz Eichenberg

A work made of lithograph in black on cream wove paper.

The Brothers, 1928

Mabel Dwight

A work made of gelatin silver print.

Fort Peck Dam, Montana, 1936, printed 1950s

Margaret Bourke-White

A work made of gelatin silver print.

Two Women at a Parade, from the series "Harlem, U.S.A.", 1978, printed by 1979

Dawoud Bey

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