Results for artworks - Page 526 from chicago

Portrait of Alfred Stieglitz, c. 1899

Frank Eugene

Cranequin (Winder) for a Sporting Crossbow, 16th century

A work made of pair of six-panel screens; ink, color, gold, and silver on paper.

Willow Bridge and Waterwheel, c. 1650

Hasegawa Sôya

A work made of steel with gilding, wood, horn, and cord.

Cranequin (Winder) for a Sporting Crossbow, 1550/1600

Vase, c. 2000

Makoto Yabe

A work made of ink and colors on cotton (framed).

Mahamayuri Vidyaraja, Liao dynasty (916–1125), 11th century

A work made of pair of six-panel screens; ink and gold leaf on paper.

Bamboo Grove, About 1920

Imao Keinen

A work made of stoneware with black glaze.

Tea Bowl, Early 20th century

A work made of porcelain painted in overglaze enamels.

Cup with Peaches, Qing dynasty (1644–1911), Guangxu period (1875–1908), c. 1894

A work made of lacquered cloth pages; lacquered wood cover inlaid with colored glass.

Kammavaca Manuscript, 19th century

A work made of pair of hanging scrolls; ink on paper.

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century

Wang Xu

A work made of willow rods, plant fiber, and glass beads.

Polychrome Beaded Basket with Repeated Diamond and Triangle Motifs, 1924

Jennie Williams

A square-shape textile with a dual multicolor border features a painted five-by-four grid of images with the repeated face of a Black woman with short hair, Bessie Smith. Her face appears blue in each instance, while the outline of her facial features, her hair, and clothing alternate colors in varying shades of yellow and orange. The background of each square likewise alternates between shades of blue and green, some with an influx of red.

American Collection #5: Bessie's Blues, January 19, 1997

Faith Ringgold

A work made of pieced cotton, wool, polyester, silk, nylon, rayon, acrylic, and cellulose acetate, plain weaves, plain weave derived float weaves, plain weave with supplementary pile warps forming cut voided pile, plain weave with supplementary patterning wefts; twill weaves, twill weave with self-patterning ground weft floats; machine single and double knits and machine knot with supplementary cut pile; some printed; pieced; edged with cotton, plain weave, printed; backed with polyester, plain weave; printed.

"Strips" Quilt, 1980s

Gearldine Westbrook

Cup with Peaches, Qing dynasty (1644–1911), Guangxu period (1875–1908), c. 1894

A work made of pieced cotton, polyester, cellulose acetate, silk, rayon and acrylic, plain weaves; some with supplementary warps some forming cut voided pile; some self-patterned by main warp and ground weft floats; some printed; plain weave derived float weave; twill weaves, some printed; satin weave; and machine knitting; backed with cotton, plain weave; quilted with cotton threads.

"Housetop"-nine block "Half-Log Cabin" Variation, About 1975

Jessie T. Pettway

Windlass [pictured on crossbow], late 15th/16th century (possibly 19th century in 15th/16th century style)

"Goat's Foot" Spanner for a Crossbow, early 16th century

Portrait of Alfred Stieglitz, c. 1899

Cranequin (Winder) for a Sporting Crossbow, 16th century

Willow Bridge and Waterwheel, c. 1650

Cranequin (Winder) for a Sporting Crossbow, 1550/1600

Vase, c. 2000

Mahamayuri Vidyaraja, Liao dynasty (916–1125), 11th century

Bamboo Grove, About 1920

Tea Bowl, Early 20th century

Cup with Peaches, Qing dynasty (1644–1911), Guangxu period (1875–1908), c. 1894

Kammavaca Manuscript, 19th century

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century

Polychrome Beaded Basket with Repeated Diamond and Triangle Motifs, 1924

American Collection #5: Bessie's Blues, January 19, 1997

"Strips" Quilt, 1980s

Cup with Peaches, Qing dynasty (1644–1911), Guangxu period (1875–1908), c. 1894

"Housetop"-nine block "Half-Log Cabin" Variation, About 1975

Windlass [pictured on crossbow], late 15th/16th century (possibly 19th century in 15th/16th century style)

"Goat's Foot" Spanner for a Crossbow, early 16th century

Goat's Foot Spanner for a Pellet Crossbow, early 17th century

Goat's Foot Lever for a Crossbow, early 16th century

Portrait of Alfred Stieglitz, c. 1899

Cranequin (Winder) for a Sporting Crossbow, 16th century

Willow Bridge and Waterwheel, c. 1650

Cranequin (Winder) for a Sporting Crossbow, 1550/1600

Vase, c. 2000

Mahamayuri Vidyaraja, Liao dynasty (916–1125), 11th century

Bamboo Grove, About 1920

Tea Bowl, Early 20th century

Cup with Peaches, Qing dynasty (1644–1911), Guangxu period (1875–1908), c. 1894

Kammavaca Manuscript, 19th century

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century

Polychrome Beaded Basket with Repeated Diamond and Triangle Motifs, 1924

American Collection #5: Bessie's Blues, January 19, 1997

"Strips" Quilt, 1980s

Cup with Peaches, Qing dynasty (1644–1911), Guangxu period (1875–1908), c. 1894

"Housetop"-nine block "Half-Log Cabin" Variation, About 1975

Windlass [pictured on crossbow], late 15th/16th century (possibly 19th century in 15th/16th century style)

"Goat's Foot" Spanner for a Crossbow, early 16th century

Goat's Foot Spanner for a Pellet Crossbow, early 17th century

Goat's Foot Lever for a Crossbow, early 16th century