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A work made of tempera on panel.

Saints Augustine and Peter, c. 1350

Paolo Veneziano

A work made of limestone.

Fragment of an Altarpiece with the Betrayal of Christ and the Suicide of Judas, 1300–25

French

Framed gold panel of the Crucifixion, kneeling figures, flying angels.

Processional Cross with Saint Mary Magdalene and a Blessed Hermit, 1392–95

Lorenzo Monaco

A work made of oil on panel, transferred to canvas.

The Annunciation, Completed by 1457

Johann Koerbecke

A work made of tempera on panel.

Triptych of the Virgin and Child with Scenes from the Life of Christ, c. 1320

Venetian

A work made of linen plain weave ground appliquéd with linen and:  silk plain weaves and silk velvet; embroidered with silk floss and creped threads, gilt- and-silvered-metal-strip-wrapped silk threads, seed pearls and metal spangles.

Altarpiece of the Virgin and Child, 1460-1470

A work made of ivory with traces of gilding and polychromy; gilt bronze.

Crozier, 14th century, with 15th century German and other later metal fittings

Brown and gold sculpture of crucified Jesus without the cross.

Corpus of Christ, from the Altarpiece of the Crucifixion, 1391–99

Jacques de Baerze

A work made of wood with traces of 19th-century polychromy.

Reliquary Bust of Saint Margaret of Antioch, c. 1470

Nicolaus Gerhaert

A work made of marble.

God the Father Blessing, 1450/60

Tuscan

A work made of tempera on panel.

Saints John the Baptist and Catherine of Alexandria, c. 1350

Workshop of Paolo Veneziano

A work made of alabaster.

Saint John the Baptist, c. 1375

French

A work made of wood with polychromy and gilding.

The Death of the Virgin, 1486–90

Hans Klocker

A work made of silk, satin weave cut pile-on-pile solid velvet.

Cope, c. 1500

A work made of manuscript with 230 folios, 12 full-page miniatures and other decorations in gold leaf, tempera and colored inks, and littera textualis inscriptions in latin and french in dark black ink, ruled in red with red rubrics, on parchment, with two parchment fly leaves upper cover, three parchment fly leaves lower cover, sheets with gilded edges, in modern binding of brown morocco leather over wooden boards.

The Visitation, from a Book of Hours, c. 1440-1445

Master of the Privileges of Ghent and Flanders

A work made of marble.

Putto with Papal Insignia, 1475/1500

Roman

A work made of tempera on panel.

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil, c. 1450

Antonio Vivarini

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Monica, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Bishop Saint, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Nicholas of Tolentino, 1450–75

Italian

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