Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, over traces of graphite on white wove watercolor paper.

Reclining Nude, 1934

Georges Braque

A work made of graphite, with erasing on cream wove paper.

Oak Bluffs, c. 1940

Hilda Wilkinson Brown

A work made of pen and black ink and ziptone, with colored pencil, on cream wove paper, with letterpress on coated paper laid down at edge.

"That Rodger Quigley simply infuriates me!" from Blondie, 1963

Chic Young

A work made of graphite on ivory wove paper.

Untitled, 1988

Gabrielle Bakker

A work made of graphite on ivory wove paper.

The Redfish, 1941

Georges Braque

A work made of pen and black ink, with blue pencil ruling, on ivory wove paper.

Over 21-Year-Old Weepy Whiners, from Curtis, 1995

Ray Billingsley

A work made of pen and black ink, with brush and black wash, over graphite, with blue pencil remarks and pasted adhesive shading film elements, on cream wove paper.

Sea Hag, from Popeye, 1973

Bud Sagendorf

A work made of pen and black ink, with brush and black ink, blue pencil, adhesive shading film, cut and pasted paper elements, and touches of opaque white, over graphite, on ivory wove card.

Playing Restaurant, from Blondie, 1956

Chic Young

A work made of pen and black ink, over graphite, with blue pencil remarks, and cream wove paper elements used for correction, on cream wove paper.

Dagwood and the Plumber, from Blondie, 1958

Chic Young

A work made of pastel and gouache on gray wove paper.

"And the day ran into the night, memories...", 1937

Ivan Albright

A work made of pen and black ink on ivory card with cut and pasted text.

Now Free from Electronic Control, The Hulk Grabs Angrily at the Inactive Remnant of His Endowment, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, and black fiber-tipped pen, with touches of white correcting fluid and non-photo blue pencil, over graphite, with cut-and-pasted text, on ivory wove card.

In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, non-photo blue pencil, and white correcting fluid on white wove paper.

The Don King Institute of Accounting, from Curtis, 1995

Ray Billingsley

A work made of pen and black ink with photostat title header and copyright labels laid down on ivory wove paper.

My Father Doesn't Understand Me, from the small society, n.d.

Morrie Brickman

A work made of brush and black ink on white wove paper.

Psst...Have you tried Retin-A?, from Mother Goose & Grimm, c. 1988

Mike Peters

A work made of pen and black ink, white correcting fluid and black fiber-tipped pen on cream wove paper.

All You Could Hear was the Rustling of Her Psoriasis, from Casey, 1977

Charles Rodrigues

A work made of pen and brush and black ink, with non-photo blue pencil, touches of graphite, and white correcting fluid on ivory card.

Daddy, I'm Having Trouble with My Homework, from Blondie, 1958–60

Chic Young

A work made of pen and brush and black ink, with touches of graphite, non-photo blue and colored pencil, and cut-and-pasted photostat text and self-adhesive halftone film on ivory card.

Oh — I forgot to tell Blondie about the insurance payment, from Blondie, 1958–60

Chic Young

A work made of pen and brush and black ink, with non-photo blue and colored pencil, graphite, and cut-and-pasted handwritten and photostat text on ivory card.

Look at the bargain, from Blondie, 1958–60

Chic Young

A work made of graphite with smudging, heightened with lead white gouache, on blue wove paper.

A Country Scene, July 1848

John La Farge

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