Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black chalk (recto and verso) on gray laid paper.

View of Wilson House and Gardens (recto); View of Wilson House and Gardens (verso), 1760/69 (recto); n.d. (verso)

Richard Wilson

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper.

Design for an Unexecuted Funerary Monument for the First Duke of Marlborough, n.d.

John Michael Rysbrack

A work made of pen and brown ink, with brush and gray wash, over traces of graphite on cream laid paper.

Statue of Pallas Athene, n.d.

Jan van Nost, the younger

A work made of black chalk with stumping, heightened with white chalk (recto), and black chalk (verso), on blue laid paper.

Landscape with Woman and Cows (recto); Sketch of a Landscape (verso), n.d.

Richard Wilson

A work made of black chalk on blue wove paper, laid down on ivory laid paper.

Italianate Landscape with Bathers, n.d.

Richard Wilson

A work made of pen and brown and gray ink, over traces of graphite, on cream wove paper.

The Colonnade of the Louvre, n.d.

Victor Jean Nicolle

A work made of pen and brown ink with brush and brown wash, on ivory wove paper.

Original Studies for Shakespeare's Tempest, 1824/29

John Massey Wright

A work made of pen and black ink, with brush and gray wash, over graphite, on ivory laid paper.

Walrus Hunt, 1801

Elizabeth Fitzgerald

A work made of red and black chalk on buff wove paper, tipped onto ivory wove paper.

Bardolphe, n.d.

John Hamilton Mortimer

A work made of black pastel, heightened with white pastel, on blue wove paper.

Study for Israel in Egypt, c. 1867

Sir John Edward Poynter

A work made of black and white chalk on brown wove paper.

Sketches of Man Leaning on a Rail, n.d.

Frank Brangwyn

A work made of pen and brown ink, over graphite, on ivory wove paper (discolored to cream).

Head of a Man, 1877

Alphonse Legros

A work made of black chalk (recto), and black and white chalk on gray prepared ground (verso), on tan wove paper.

Portrait of Fuseli (recto); Sketch of a Hand (verso), 1761/1825 (recto); 1770/80 (verso)

Henry Fuseli

A work made of gouache with gold paint on board.

Perseus and Andromeda, study for The Doom Fulfilled, 1875

Sir Edward Burne-Jones

A work made of watercolor, over traces of graphite, on ivory wove paper.

A Bird's Eye View of the Pavilion Brighton, n.d.

Unknown artist

A work made of watercolor over black chalk, with touches of graphite, on ivory wove paper, laid down on card.

Figures near Doorway, 1825/30

David Wilkie

A work made of graphite and red crayon on ivory wove paper, laid down on board.

Kneeling Draped Figure, c. 1865–70

Sir Edward Burne-Jones

A work made of pen and brown ink over traces of graphite, on ivory wove paper.

The Hermit; illustration for Oscar Wilde's 'The Teacher of Wisdom', c. 1890–1924

Charles Ricketts

A work made of graphite on cream wove card.

Colonel Impitt, n.d.

Samuel Cousins

A work made of pen and gray ink with brush and watercolor over graphite on cream wove paper, laid down on board.

The Lady and the Queen Wasp, 1780/90

Francis Wheatley

<<<444445446447 >>>