Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph on ivory wove paper.

Oyster Test, 1974

Jack Beal

Drawing of god, radiating light, reaching down from clouds, touching male figure.

Spotted Salamander, 1973

Jack Beal

A work made of color etching on white wove paper.

Symphonic Metamorphosis #I, 1971

Vera Berdich

A work made of lithograph on cream wove paper.

Follow Me, 1948

Ivan Albright

A work made of woodcut on ivory wove paper.

Self-Portrait, n.d.

Jack Beal

A work made of lithograph on white wove paper.

The Woodpile, 1939

Thomas Hart Benton

A work made of lithograph on white wove paper.

Cradling Wheat, 1939

Thomas Hart Benton

A work made of etching on white wove paper.

Plate Three, from Madame Edwarda, 1965

Hans Bellmer

A work made of etching on white wove paper.

Plate I from Madame Edwarda, 1965

Hans Bellmer

A work made of lithograph on ivory wove paper.

Loading Corn, 1945

Thomas Hart Benton

A work made of etching on white japanese paper.

Plate Ten, from Petit Traite de Morale, 1968

Hans Bellmer

A work made of etching on white japanese paper.

Plate Eight, from Petit Traite de Morale, 1968

Hans Bellmer

A work made of etching on white wove paper.

Plate Four, from Madame Edwarda, 1965

Hans Bellmer

A work made of color soft ground etching with aquatint, on white wove paper.

Nestlings, 1954

Vera Berdich

A work made of color linocut on brown japanese paper.

The Storm, 1935

Sybil Andrews

A work made of woodcut on cream japanese paper.

Bing, Bing, Bingo, in San Domingo, n.d.

Emil Armin

A work made of lithograph on ivory wove paper.

Woods at Deerfield, 1962

Ivan Albright

A work made of drypoint on cream wove paper.

Nothing Doing, 1952

Peggy Bacon

A work made of brass plate for drypoint.

Near Eromsoe, Norway, n.d.

Ivan Albright

A work made of screenprint in gray and silver on heavy white-wove paper.

Words 1931, c. 1970

Rudolf Baranik

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