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A work made of etching and aquatint on ivory laid paper.

Wait till You've Been Anointed, plate 67 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

The Shamefaced one, plate 54 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

The Chinchillas, plate 50 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

No One Has Seen Us, plate 79 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Be quick, They are Waking Up, plate 78 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching in black on ivory wove paper.

The Deck of a Warship, 1834

Christoffer Wilhelm Eckersberg

A work made of charcoal, with stumping and black pastel, heightened with touches of white chalk, on dark tan wove paper, laid down on tan wood pulp board.

In the Forest of Fontainbleau, c. 1850

Théodore Rousseau

A work made of etching on ivory japanese paper.

The Smoker, 1873/74

Wilhelm Leibl

A work made of etching on tan laid paper.

Old Man with a Walking Stick, 1875/77

Wilhelm Leibl

A work made of lithograph in black on white wove paper.

Mr. Coste noticing that the fish he took out of the water in order to analyse their state of health, end up feeling not well at all, plate 387 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier, 1864

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The Pleasures of Fishing. “- You are always in such a rush - Good God, we only just got here at noon and it is now only a quarter past five - Just give me a little more time, I am sure I'll end by catching one,” plate 50 from Moeurs Conjugales, 1842

Honoré-Victorin Daumier

A work made of gelatin silver print, no. 3 from the portfolio "selected photographs" (1974).

Breakfast Room at Belle Grove Plantation, White Chapel, Louisiana, February/March 1935, printed 1974

Walker Evans

A work.

North Kansas City Redevelopment: Unit Floor Plan, 1952/53

Bertrand Goldberg

A work made of pencil on paper.

Levin, Leo, Residence: Floor Plan, n.d.

Bertrand Goldberg

A work made of pencil and ink on paper.

Levin, Leo, Residence: Elevations, n.d.

Bertrand Goldberg

A work made of soft ground etching and aquatint on ivory laid paper.

Dawn, 1918

Arthur B. Davies

A work made of drypoint on white wove paper.

The Island, 1922

Charles William Dahlgreen

A work made of soft ground etching, aquatint, and graphite on off-white wove paper.

Fountain of Youth, 1918–19

Arthur B. Davies

A work made of transfer lithograph on cream wove paper.

Conversation, 1919–20

Arthur B. Davies

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