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A work made of brush and brown and gray wash over traces of black chalk, on cream laid paper, pricked for transfer, squared in graphite.

Virgin Nursing the Christ Child, n.d.

A work made of oil paint on tan laid paper.

Study for Saint Philip Neri Rescuing a Drowning Youth, 1596/99

Cristoforo Roncalli

A work made of black chalk heightened with traces of white chalk, on cream laid paper prepared with ochre wash, laid down on cream wove paper.

Seated Male Nude, 1600/40

Follower of Jacopo da Empoli

A work made of pen and brown ink with brush and brown wash, over black chalk (recto) and charcoal with traces of white chalk (verso) on gray laid paper, partially laid down on tan laid paper.

Saint Anthony of Padua (recto); Standing Monk (verso), 1540/75

Circle of Stefano dall' Arzere

A work made of pen and brown ink with brush and brown wash, on octagonal-shaped buff laid paper, laid down on ivory laid paper.

Hercules Felling King Diomedes, 1540/46

Giulio Romano

A work made of pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on blue laid paper, laid down on cream laid paper.

Bishop Saint (Ambrose?) Exorcising the Devil, n.d.

Giovan Battista della Rovere

A work made of pen and brown ink, heightened with lead white (partially oxidized), on cream laid paper, squared in black chalk, laid down on ivory wove paper.

Crucified Christ or Marsyas, 1585/95

Follower of Michelangelo Buonarroti

A work made of pen and black ink with brush and brown wash, heightened with lead white (oxidized), on lunette-shaped cream laid paper prepared with yellow wash, squared in graphite, laid down on cream laid card.

Rape of Proserpina, 1550/59

Unknown Northern Italian

A work made of pen and brown ink and brush and brown wash, heightened with lead white (partly oxidized), on buff laid paper, squared in graphite, laid down on ivory laid paper.

The Lamentation, 1540/46

Luca Penni

A work made of red chalk on cream laid paper (recto), partially laid down and tipped onto tan wove card.

Putto Poised on Right Leg (recto); Sketch of a Draped Arm (verso), 1575/1600

Domenico Cresti

A work made of pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper, pieced and pricked for transfer, laid down on tan laid paper.

Saint Jerome in Penitence, 1575/85

Follower of Luca Cambiaso

A work made of brush and brown ink and wash, heightened with lead white (partly oxidized), covered with shellac, on cream laid paper, laid down on card.

Sacrifice of Isaac, n.d.

Follower of Lelio Orsi

A work made of black chalk on ivory laid paper.

Buildings Amid Ruins in Roman Campagna, n.d.

Guilliam Dujardin

A work made of black chalk, with brush and gray wash and brown wash, on ivory laid paper.

Monument with Dead Warrior and Angel, n.d.

Joseph Nollekens

A work made of watercolor and gouache, with black crayon, graphite and traces of pen and brown ink, over touches of red chalk, on cream wove card.

A Man and a Woman in a Park, n.d.

Ludek Marold

A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.

Apollo, c. 1600-1620

Jan Harmensz. Muller

A work made of black chalk with pen and brown ink on cream laid paper.

Putto Holding Staff, n.d.

Guido Reni

A work made of black crayon and brush and gray wash, with touches of black chalk, on buff laid paper, laid down on ivory laid card.

Yard of an Old House, n.d.

Cornelis Saftleven

A work made of brush and gray wash, with touches of graphite, on cream laid paper, pieced together.

Soldiers in Battle, n.d.

Unknown artist

A work made of pen and brown ink with brush and black ink wash, over traces of black chalk on cream laid paper.

View of Mecca, 1665

Jan Peeters, I

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