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A work made of pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper.

Three Column Capitals, n.d.

Giovanni Battista Piranesi

A work made of black chalk and charcoal heightened with white chalk, on tan laid paper, laid down on cream wove board.

Road to Cavalry, c. 1585

Leandro Bassano

A work made of black chalk with brush and brown wash, heightened with touches of white chalk, on blue laid paper, squared in red chalk, laid down on ivory laid card.

Study for the Supper at Emmaus, 1550/59

Giulio Campi

A work made of red chalk, heightened with touches of white chalk, on blue laid paper, squared in black and red chalk.

Seated Youth Wearing a Monk's Habit: Study for Saint Benedict, 1590

Bartolomeo Cesi

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid paper.

Death of Samson, n.d.

A work made of black chalk heightened with touches of white chalk, on blue laid paper, tipped onto cream wove paper.

Concert Scene, n.d.

Unknown Florentine

A work made of black chalk, heightened with touches of white chalk, on greenish gray prepared laid paper, laid down on ivory laid card.

Trinity with the Virgin, and Ten Saints, c. 1565

Tommaso Manzuoli

A work made of pen and brown ink, with red chalk (recto), and pen and brown ink (verso), on tan laid paper.

Acrobats Performing Before a Ruler (recto); Outdoor Scene with Group of Figures (verso), c. 1510

Giovanni Antonio da Pordenone

A work made of pen brown ink and brush and brown wash, heightened with lead white (with later additions to left knee and face of virgin), over traces of black chalk, on ivory laid paper, laid down on tan laid paper.

Study for the Pentecost, c. 1580

Simone Peterzano

A work made of pen and black ink on cream paper, tipped onto blue-green wove paper.

Invitation to a concert, n.d.

Félicien Rops

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with incising, and with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "P" with Roses from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "A" with Flower from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "M" with Roses and a Medal from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "O" with Flowers from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "T" with Flower from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver and gold paint, with latin inscriptions in brownish black ink, ruled in red, on vellum.

Historiated Initial "N" with Crucifix from a Manuscript, n.d.

A work made of manuscript cutting in tempera and gold leaf, with latin inscriptions in brownish-black and red, ruled in red, verso, on parchment.

Decorated Initial "N" with Terme (or Grotesque) and Urn from a Manuscript, n.d.

A work made of manuscript cutting in tempera and colored inks, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial with Flowers from a Manuscript, n.d.

A work made of manuscript cutting in tempera and colored inks on vellum.

Manuscript Cutting with Flowers, n.d.

A work made of manuscript cutting in tempera, colored inks and gold leaf on vellum.

Illuminated Border with Peacock, Bird, Snail, Fruit and Flowers, n.d.

Unknown illuminator

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