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A work made of black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper.

Academic Study of a Reclining Male Nude, c. 1750

François Boucher

A work made of bronze inlaid with silver.

Standing Buddha, Pagan period, about 12th century

A work made of pen and black ink with pen and brown ink and watercolor on cream wove paper.

Life Span No. 3, Marilyn Monroe, 1967

Oyvind Fahlström

A work made of block-printed cotton.

Skirt panel, c. 1787-1790

William Kilburn

A work made of jute; knotting (flat knots); wrapped with wool; self-fringe some knotted, some wrapped; metal stand.

Symbolic Poncho, 1971

Claire Zeisler

A work made of hanging scroll, ink and color on paper.

Image of Daikoku and the Artist's Seals, 1754–1799

Nagasawa Rosetsu

A work made of limestone with traces of polychromy.

Bodhisattva, Tang dynasty (618–906), c. 725/50

A work made of bast fibers, knotted in buttonhole, flat, and half knots; wrapped.

Fiber Construction, 1965-70

Claire Zeisler

A work made of bronze.

Kohl Stick, New Kingdom, Dynasty 18 (about 1550–1295 BCE)

Ancient Egyptian

A work made of bronze.

Kohl Stick, New Kingdom, Dynasty 18 (about 1550–1295 BCE)

Ancient Egyptian

A work made of copper alloy.

Kohl Stick, New Kingdom, Dynasty 18 (about 1550–1295 BCE)

Ancient Egyptian

A work made of jute; flanges square knotted and wrapped; cascading ends.

Red Preview, 1969

Claire Zeisler

A work made of color lithograph on cream wove paper, folded in half and printed on three sides.

Lead Pipe Sunday #2, 1997

Art Spiegelman

A work made of opaque watercolor, gold, and ink on paper.

Prince Visiting an Ascetic during a Hunt, Mughal dynasty (1526-1857), c. 1625-1650

A work made of color lithograph on cream wove paper, folded in half and printed on three sides.

Lead Pipe Sunday, 1989

Art Spiegelman

A work made of opaque watercolor and shell gold on paper.

The Greedy Dog, Mughal dynasty (1526-1857), late 16th century

Farrukh Chela

A work made of soft ground etching and aquatint on cream laid paper.

In the Opera Box, No. 3, 1880

Mary Cassatt

A work made of pen and brown ink and brush and brown wash, with black chalk, heightened with touches of white gouache, on dark buff laid paper.

Study for the Flagellation of Christ, c. 1602

Jacopo Negretti, called Palma Giovane

A work made of ink wash, gold, and color on paper.

Angel (Peri) Riding a Composite Camel, c. 1700

A work made of color drypoint and aquatint, from three plates on greenish-gray laid paper.

By the Pond, c. 1898

Mary Cassatt

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