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A work made of color offset lithograph on cream wove paper.

Under the Sign of the Komsomol, 1924

Gustav G. Klutsis

A work made of wax.

William Davidson, Esq., 1797

Peter Rouw

A work made of wax.

Venus and Mars, 1500/1600

Venetian

A work made of wax on slate.

Trophy, 1730/35

Jacques Guay

A work made of silk and gold-leaf-over-lacquered-paper strips, complex gauze weave with supplementary brocading wefts.

Unusual Ôsodemone-Style Garment, late Edo period (1789–1868), 1801/25

A work made of wax.

Portrait of a Nobleman, 1575/1600

Italian

A work made of wax on slate.

Johannes Angelus Battistinus, 1702

Charles Claude Dubut

A work made of wax on glass with gilding.

Saint Leocadia, 17th century

Spanish

A work made of wax.

William Douglas, Fourth Duke of Queensberry (1724–1810), c. 1782

Samuel Percy

A work made of wax.

Man with Goblet, 1580/1600

Flemish

A work made of cotton and wool, slit and double interlocking tapestry weave.

Zebres, 1959

Victor de Vasarely

A work made of patterned side: silk, plain weave; stenciled and resist dyed; lined with silk, plain weave; interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; silk-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

A work made of silk and gold-leaf-over-lacquered-paper-strips, satin damask weave with patterning and brocading; wrapped over cardboard and backed with paper; applied label of silk, plain weave; with inscribed title painted and/or printed with ink.

Sutra Cover, Ming dynasty (1368–1644), c. 1590s

Cloth fragment of dress, blue and brown floral design in circular patterns.

Fragment (Dress Fabric), Tang dynasty (CE 618–906), late 8th/early 9th century

A work made of silk and gold-leaf-over-lacquered-paper strip, plain weave with supplementary brocading wefts bound in plain interlacings.

Sutra Cover, Ming dynasty (1368–1644), c. 1590's

Silver bell-shaped saucepan with ebony handle, everted foot and domed lid. Vessel's body is engraved with

Brandy Saucepan, 1787/88

Hester Bateman

A work made of silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and peacock feathers, slit tapestry weave with interlaced outlining wefts; painted details; edged with silk, warp-float faced 7:1 satin weave; top facing edged with silk, plain weave; lined with silk, plain weave.

Buddhist Monk's Cape (Incomplete), Qing dynasty (1644–1911), 1650/1700

A work made of top: cotton, plain weave; block printed; narrow band: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 's' twill interlacings of secondary binding warps and supplementary patterning wefts; upper and lower panels: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; outer bands: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, dovetailed tapestry weave; ribbon: silk, plain weave with supplementary patterning warps; outer edging: silk, warp-float faced 4:1 satin weave; lined with cotton, plain weave; painted inscription.

Valance, Qing dynasty (1644–1911), 1799

Cottonwood Hybrid

Cottonwood Hybrid, 1956

Richard Hunt

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