Curator

  • Art Institute Chicago
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A work made of etching on white wove paper.

Plate Four, from Madame Edwarda, 1965

Hans Bellmer

A work made of color soft ground etching with aquatint, on white wove paper.

Nestlings, 1954

Vera Berdich

A work made of color linocut on brown japanese paper.

The Storm, 1935

Sybil Andrews

A work made of woodcut on cream japanese paper.

Bing, Bing, Bingo, in San Domingo, n.d.

Emil Armin

A work made of lithograph on ivory wove paper.

Woods at Deerfield, 1962

Ivan Albright

A work made of drypoint on cream wove paper.

Nothing Doing, 1952

Peggy Bacon

A work made of brass plate for drypoint.

Near Eromsoe, Norway, n.d.

Ivan Albright

A work made of screenprint in gray and silver on heavy white-wove paper.

Words 1931, c. 1970

Rudolf Baranik

A work made of brass plate for drypoint.

Self-Portrait, n.d.

Ivan Albright

A work made of copper plate for drypoint.

Self-Portrait - The Last Etching, n.d.

Ivan Albright

A work made of copper plate for drypoint.

Unknown Subject, n.d.

Ivan Albright

A work made of etching on ivory wove paper.

Self-Portrait (Ancient Eyes), 1983

Ivan Albright

A work made of lithograph on ivory wove paper.

Gipsy Wedding, 1931

Richard R. Beatty

A work made of etching on cream laid paper.

Normandy Noon, 1936

John Taylor Arms

A work made of linocut in brown and black on cream wove paper.

Portrait of Harold Joachim, 1978

Jack Beal

A work made of soft ground etching in blackish brown on ivory wove paper.

Ashville Nouveau, 1929

Frances S. C. Badger

A work made of soft ground etching in blackish brown on pinkish ivory wove paper.

Asheville Nouveau, 1929

Frances S. C. Badger

A work made of etching and drypoint in black on cream wove paper.

Sails Set Out to Dry, 1924

Adolphe Marie Timothée Beaufrère

A work made of etching in black on cream laid paper.

Coutances, 1926/27

John Taylor Arms

A work made of color etching and aquatint on cream wove paper.

A, 1999

Tony Fitzpatrick

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