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A work made of pen and black ink, with brush and black wash, over graphite, on tan wove paper.

Study for How a Devil in Woman's Likeness Would Have Tempted Sir Bors, 1893

Aubrey Vincent Beardsley

A work made of gouache and oil on paper.

Street in Seville, 1905

Charles Conder

A work made of red and black chalk, heightened with white pastel and white pastel mixed with red chalk, on cream wove japanese paper.

Half-Length Portrait of Alice Helleu, the Artist's Wife, c. 1895

Paul-César Helleu

A work made of blue crayon, over graphite, on cream wove paper (discolored to tan), laid down on brown card.

Woman Entreating a Man, n.d.

Adolphe Léon Willette

A work made of pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper.

Decorative Study: Woman with Sunflowers, 1892/98

Aubrey Vincent Beardsley

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on cream wove paper.

Arno above Florence, September 3, 1900

David Young Cameron

A work made of pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper.

Decorative Study: Satyr, 1892/98

Aubrey Vincent Beardsley

A work made of pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper.

Decorative Study: Two Angels, 1892/98

Aubrey Vincent Beardsley

A work made of black conté crayon, with red conté crayon and brown wax crayon, heightened with touches of white chalk, on cream wove paper, tipped on blue laid paper, laid down on cream board.

Mademoiselle Ellen Helleu (The Artist's Daughter), c. 1895

Paul-César Helleu

A work made of charcoal, with stumping, heightened with white chalk, on pinkish-gray laid paper with blue fibers.

Shepherd and his Flock, n.d.

Charles Émile Jacque

A work made of red chalk and black chalk, with incising, heightened with white pastel and white pastel mixed with red chalk, on cream wove japanese paper.

Mademoiselle Ellen Helleu, c. 1897

Paul-César Helleu

A work made of black chalk on ivory laid paper (discolored to yellow).

Head of a Chlid, n.d.

Alphonse Legros

A work made of charcoal, with stumping and erasing, on ivory laid paper.

Landscape, 1870/75

Maxime Lalanne

A work made of graphite, with stumping, on ivory wove paper.

Mrs. William Morris Seated in Chair, May 1870

Dante Gabriel Rossetti

A work made of black chalk heightened with white gouache on blue laid paper.

Sketch of a Cabinet, n.d.

Henry Stacy Marks

A work made of pen and black ink, over graphite, on cream wove paper, laid down on cream board.

Woman and Child, n.d.

Daniel Urrabieta Vierge

A work made of black chalk, heightened with touches of white chalk, on blue laid paper with pink and blue fibers.

Farmyard with Man and Cattle, n.d.

Constant Troyon

A work made of graphite, with brush and watercolor and gouache, on gray wove paper, laid down on board.

Viterbo, c. 1840–49

John Ruskin

A work made of pen and brown ink and brush and watercolor, with scraping and additions of graphite, on ivory wove paper.

School House at Kings Norton Near Birmingham, 1824

Samuel Austin

A work made of graphite on cream wove paper.

The Beach at Royan, n.d.

Maxime Lalanne

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