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A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves: bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures: silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons.

Emperor's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1790-1820

Manchu

A work made of steel.

Rondel Dagger, 19th century in early 15th century style

A work made of steel, bone, and bronze.

Cinquedea, About 1500

A work made of black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white japanese tissue.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal, touched with white, on a fragment of tan laid paper.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white japanese tissue.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal on a fragment of tan laid paper (recto), fragment of graphite sketch (verso).

Studies of Nudes, n.d.

Henry Fuseli

A work made of pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper.

Minerva and Achilles, n.d.

John Flaxman

A work made of graphite on cream wove paper.

Study, 1845

Charles Meryon

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

The Hours Taking the Horses from Juno's Car, n.d.

John Flaxman

A work made of pen and gray ink, over graphite, on cream wove paper, laid down on ivory wove paper.

The Council of the Gods, n.d.

John Flaxman

A work made of pen and black ink, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Achilles and Patroclus, n.d.

John Flaxman

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

Ulysses Killing the Suitors, n.d.

John Flaxman

A work made of graphite with brush and watercolor (recto) and graphite (verso) on ivory wove paper.

Fashions and Frights of 1829 (recto); Angels Ever Bright and Fair (verso), 1829

George Cruikshank

A work made of pen and gray ink, over graphite, on gray laid paper.

Seven Chiefs Against Thebes, n.d.

John Flaxman

A work made of pen and iron gall ink with brush and brown wash, heightened with white gouache, on tan laid paper, pieced together and laid down on gray laid paper.

The Assumption of the Virgin, n.d.

Tintoretto

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of pen and brown ink over graphite, on buff wove paper.

Bacchanale, n.d.

Joshua Cristall

A work made of pen and black ink with brush and gray wash, over graphite, on ivory wove paper, partially laid down on ivory laid paper.

Religious Festival in Northern France, possibly Normandy, c. 1820

John Coney

A work made of pen and brown ink over graphite, on ivory laid paper, partially laid down on ivory wove paper.

Dutch Market or Fair, c. 1820

John Coney

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