Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of monotype in brown on ivory wove paper.

Caricature of William Gedney Bunce, 1883–84

Frank Duveneck

A work made of make of pieces of nishiki-kinran, silk compound weave, with ground of dark blue flecked pattern and circular motifs woven in colored silks and kinran, cut paper with gold foil..

Ôhi (Stole), late Edo period (1789–1868), 1801/25

A work made of fancy compound satin in silk threads and golden paper strips.

Ôhi (Stole), Edo period (1615–1868), 1775/1825

A work made of all-over pattern of geometric and floral designs; in shades of green, brown, gold and silver.

Obi (Belt), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of border, shiten: silk; complex gauze weave self-patterned with areas of plain weave; center and lining: probably hemp, plain weave.

Zagu (Seating Mat), late Edo period (1789–1868), 1800/68

A work made of border: silk; plain weave with creped wefts (chirimen); impressed pattern; embroidered with silk and gold-leaf-on-lacquered-paper-strip-wrapped silk in laidwork and couching; shiten: silk; plain weave with creped wefts (chirimen); impressed pattern; center: cotton, plain weave; lining: cotton, plain weave.

Zagu (Seating Mat), early Shôwa period (1926–1989), 1926/40

A work made of silk, gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 ‘z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

A work made of heri, yô, and jô: silk, cotton and gold-leaf-over-lacquered paper strip, twill weave with twill interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk, cotton and gold-leaf-over-lacquered paper strip, twill weave with twill interlacings of secondary binding warps and supplementary patterning wefts; lining: cotton, mixed twill weave self-patterned by main warp and ground weft floats.

Ôhi (Stole), late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/90

A work.

Ôhi (Stole), late Edo period (1789–1868), 1801/25

A work made of brush and sepia ink and red, white, and black shellac-based ink on ivory wove paper.

Sepia Drawing II, 1991–2000

Brice Marden

Drawing

Drawing, 1991-92

Pat Steir

Rio Vertical Reversal #14

Rio Vertical Reversal #14, 2013

Richard Serra

A work made of gold.

Bracelet, 1st-2nd century

Ancient Roman

A work made of halftone relief print.

Joan Lyons, No. 109 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of linen, plain weave; embroidered with silk in running (pattern darning); two loom widths joined with needle-made oblique interlacing.

Panel (Half of a Bed Curtain), 1700/1900

A work made of etching on ivory laid paper.

Male Nude Seated and Standing, c. 1646

Rembrandt van Rijn

A work made of linen, plain weave; embroidered with silk in back, overcast back, chain, cretan, roumanian, satin, split, stem, and whipped stem stitches; couching; five loom widths joined.

Skirt, 18th century

A work made of etching, drypoint, and engraving, on ivory japanese paper.

Reclining Female Nude, 1658

Rembrandt van Rijn

A work made of linen, plain weave; embroidered with silk in double running, running (pattern darning), split, and stem stitches; attached cut fringe.

Valance (For Bed), 17th century

A work made of etching, drypoint, and burin on off-white laid paper.

Jupiter and Antiope: The Larger Plate, 1659

Rembrandt van Rijn

<<<287288289290 >>>