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A work made of pen and black ink with pen and brown ink and watercolor on cream wove paper.

Life Span No. 3, Marilyn Monroe, 1967

Oyvind Fahlström

A work made of cotton; block printed; shaded areas produced by a second printing using bleach instead of a dye.

Panel, 1701/25

Ndop Display Cloth

Ndop Display Cloth, Probably 1950s

Grassfields Kingdoms

Installation photograph of a three-dimensional textile in shades of cream and orange. The work hangs from the ceiling of a gallery by thin filaments that create the work's shape in space. It floats in the air as a snaking line from which woven tendrils droop, cream in its upper portion and orange in those that hang down.

Metaphysical Body II, 2023

Tanya Aguiñiga

A work made of cotton; woven on a jacquard power loom; hand applied glass beads.

Clout Chasin', 2023

Qualeasha Wood

A work made of colored pencil, over graphite, with collage of cut relief-printed papers on cream wove paper, laid down on cream wove card.

Here We Are in France, from Ubu Enchaîné, 1937

Max Ernst

A work made of lithograph in black ink with touches of opaque white watercolor on brown wove paper.

Gothic Church Behind an Oak Grove with Tombs, 1810

Karl Friedrich Schinkel

A work made of graphite and colored pencil with collage of cut relief-printed papers, on tan wove paper.

Set Design for Alfred Jarry, Ubu Enchaîné, 1937

Max Ernst

A work made of wood, metal, [conus?] shell, glass beads, and fabric/textile.

Female Power Figure (Kithuti), Early 20th century

A work made of watercolor on ivory wove paper.

The First Whisper of Love, c. 1889

John Douglas Miller

A work made of graphite on ivory wove paper.

Venus with Golden Apple in Right Hand, for the Troy Triptych (sketchbook #2639), c. 1873–77

Sir Edward Burne-Jones

A work made of glazed steatite.

Stamp Seal in the Shape of a Boy, Old Kingdom–Middle Kingdom, mid–Dynasty 6–mid–Dynasty 12, about 2321–1877 BCE

Ancient Egyptian

A work made of linen, plain weave; screen printed.

Maya, Designed 1931, printed 1948

Ruth Reeves

A work made of cotton, plain weave; embroidered with wool (camelid) in cross-knit loop stitches; extensions in buttonhole stitches overworked with cross-knit loop stitches.

Fragment of a Decorative Border, 100 BCE-200 CE

Nasca

A work.

Tapestry Medallion, 650 CE-700 CE

Nasca

A work.

Fragment (Border), possibly 500-600

Nasca

A work made of wool (camelid), oblique interlinked and interlaced warp (sprang); crossknit looping over folded unworked warps; sides joined with wool (camelid) in overcast stitch.

Tassel, 500-900

Nasca

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in back, cross, double running, running, satin, and stem stitches.

Sampler, 1 CE-200 CE

Nasca

Textile border fragment in blue, green, and coral, with stripes at top, figures in the middle, and square fringe at bottom.

Fragment (Border), 100 BCE-200 CE

Nasca

A work made of cotton, plain weave; embroidered with wool (camelid) and cotton in stem stitches.

Fragments (Border), 100 BCE-200 CE

Nasca

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