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A work made of gouache with pen and brown ink, over black chalk, on ivory laid paper.

Head of Medusa (Sabbatini collection, Rome), n.d.

Giuseppe Grisoni

A work made of red chalk, heightened with lead white (discolored), with graphite, on cream laid paper.

Study for a Robed Male Saint, c. 1644

Nicolas Mignard

A work made of red and black chalk on laid paper.

The Cumean Sibyl, c. 1630

Claude Vignon

A work made of graphite on cream wove paper.

Rocca di Papa, c. 1825

Edouard Bertin

A work made of pen and brown ink, with brush and black, brown and gray wash, and black chalk, on cream laid paper, laid down on cream laid card.

A Wooded River Landscape with Jacob, Laban, and His Daughters, 1661

Claude Lorrain

A work made of pen and black ink and brush and gray wash, over graphite, on ivory laid paper.

Aurora Heralds the Break of Day to the Four Corners of the Globe, n.d.

A work made of pen and brown ink, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper and edge-mounted on pale blue-green laid paper.

Father Pepe Preaching to Sailors, c. 1740

Pier Leone Ghezzi

A work made of brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper.

Study Sheet with Seated Figures, 1705/15

Alessandro Magnasco

A work made of red chalk heightened with white chalk on tan laid paper.

Head of a Soldier, n.d.

Charles Parrocel

A work made of red chalk with graphite on cream laid paper.

Samian Sibyl, c. 1630

Claude Vignon

A work made of graphite, with stumping, on greenish ivory laid paper.

Standing Male Nude, 1843

Jean Baptiste Camille Corot

A work made of red chalk on cream laid paper, laid down on cream laid paper.

A Woman in Russian Dress, 1780

Jean Baptiste Le Prince

A work made of pen and brown ink and brush and brown wash, over traces of graphite, heightened with white gouache on buff laid paper.

The Three Fates, 1810/20

Felice Giani

A work made of charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions.

Venus Disarming Cupid, 1852/57

Jean Baptiste Camille Corot

A work made of pen and brown ink and brush and brown wash, with touches of brush and orange watercolor, over black chalk, on ivory laid paper, prepared with a white gouache ground, laid down on grayish-ivory laid card.

Punchinello's Mistress Faints, 1790–1801

Giovanni Domenico Tiepolo

A work made of pen and black ink with brush and gray wash, on ivory laid paper, pieced at bottom and laid down on tan wove paper, laid down on cream laid paper.

A Peasant Seated in a Shed, 1800/09

Jean Jacques de Boissieu

A work made of watercolor, with black chalk, on ivory laid paper, laid down on tan board.

Antibes, 1907

Henri Edmond Cross

A work made of black chalk on cream laid paper.

Farm Courtyard, c. 1750

François Boucher

A work made of red, black, and white chalk, with stumping, on light brown laid paper, laid down on cream laid paper.

Hercules Seated, study for Hercules and Omphale, 1724

François Le Moyne

A work made of watercolor and gouache, over black chalk, on ivory laid paper, laid down on off-white laid paper.

An Artist Adoring a Statue of Virtue, 1783

Claude Jean Baptiste Hoin

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