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A work made of oil on canvas.

Contrail Crucifix, 1975

Roger Brown

Flight Fragment II

Flight Fragment II, c. 1957

Richard Hunt

A work made of oil on linen.

Nunchaku, 1989

Ed Paschke

A work made of oil on canvas.

Cross Country Connections, 1974

Roger Brown

Epauleptic Fit

Epauleptic Fit, 1974

Karl Wirsum

A work made of oil on panel.

Landscape with Tournament and Hunters, 1519–20

Jan van Scorel

A work made of linen and wool, plain weave with three-color supplementary pile warps forming cut solid velvet; four panels joined.

Carpet, 1690/1700

A work made of wood inlaid with mother of pearl.

Pair of Clogs (Qabqab), Mid–19th century

A work made of cotton and wool dovetailed tapestry weave.

"Germantown Eye-Dazzler" Rug, c. 1800/90

Diné (Navajo)

Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center. At far left is a side view of a white house with open shutters, a woman working inside.

Landscape: Window Overlooking the Woods, 1899

Édouard Jean Vuillard

A work made of glass beads, cloth, and thread.

Slippers (Bata Ileke), Late 19th/early 20th century

Yoruba

A work made of color woodblock print.

Surface K.O., 1987

Yoshida Ayomi

A work made of color woodblock print; oban.

Sakanoshita—No. 49, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of cotton, silk, and gilt-and-silvered-metal-strip-wrapped silk, plain weave variation with supplementary brocading wefts and supplementary wrapping wefts forming cut pile ghrough a technique known as "persian (sehna) knots;" edged with silk, cotton, and gil-metal-strip-wrapped silk, woven and card woven fringe.

Carpet, 1601/25

A work made of oil on canvas.

Table at a Café, 1912

Juan Gris

A work made of silver on wooden support.

Wine Bottle Cooler Stand, 1845–46

Robert Garrard, II

A work made of silver on wooden support.

Wine Bottle Cooler Stand, 1845–46

Robert Garrard, II

A work made of gelatin silver print.

Inez Duthie, c. 1931

Lee Miller

A work made of gelatin silver print.

Untitled, c. 1929

Lee Miller

A work made of gelatin silver print.

Untitled (Architectural Study), 1931

Lee Miller

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