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A work made of black chalk on ivory wove paper, fixed.

The Twin Brothers Ludwig and Emil Schulthess, 1818/19

Hans Jakob Oeri

A work made of acrylic and oil on linen.

Swipe, 2022

Amy Sillman

A work made of lithograph on ivory wove paper.

After the Hunt, 1962

Wesley Chamberlin

A work made of etching and stipple engraving, roulette and burnishing in black on off-white laid paper.

Presenté et dedié a la convention National l'an 2 de la Republique, 1793

A. Duplessis

A work made of etching in black on ivory laid paper.

Title Page, after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones), 1612

Claes Jansz. Visscher, II

A work made of lithograph on ivory wove paper.

East 13th Street, 1935/42

Chuzo Tamotzu

A work made of bronze.

Bodhisattva, possibly Maitreya, Pre-Angkor period, 7th‒8th century

Pre-Angkorean

Vibrant colored painting of beachscape with figures, structure, and ox pulled cart.

Painting with Troika, January 18, 1911

Vasily Kandinsky

A work made of black chalk with pen and brown ink, heightened with lead white (partially discolored) (recto), and black chalk (verso), on cream laid paper, recto squared in black chalk.

Circumcision of the Christ Child (recto); Marriage of the Virgin (verso), c. 1577

Follower of Paolo Veronese

A work made of blue silk and gold net and gauze mount decorated with spangles; carved wood sticks with piqué; gilt rivet and loop.

Fan, 19th century

A work made of black crayon, with touches of graphite, over charcoal, with stumping, on cream laid paper.

Jean-Auguste-Dominique Ingres, 1865

Henri Fantin-Latour

Silver-toned reliquary in the shape of a long rectangle with an upper resembling a pitched roof. In relief on its side, armed figures surround a falling figure in distress as a single figure attacks him.

Reliquary Casket of Saints Adrian and Natalia, 1100/50

A work made of etching on paper.

The Bank of Escaut, 1841

Carel Nicholaas Storm van's Gravesunde

A work made of drypoint on paper.

Venice, 1841

Carel Nicholaas Storm van's Gravesunde

A work made of drypoint on paper.

The Calm, n.d.

Carel Nicholaas Storm van's Gravesunde

A work made of silk, satin damask weave.

Panel, 16th/17th century

A work made of rayon, plain weave self-patterned by rows of gauze crossings (yoko ro); resist dyed, stenciled and dye extracted through use of chemical discharge dyeing (bassen) (yûzen-zome: utsushinori and hitta shibori); embroidered with cotton, rayon and gold and silver-leaf-over-lacquered-paper-strip wrapped silk in satin stitches and underside couching; lined with silk and cotton, stripes of warp-float faced 4:1 satin weave and stripes of 3:1 (plain interlacing in alternate alignment) plain weave derived float weave (cannelé alternatif); printed.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

A work made of silk, 4:1 satin damask weave (donsu); tie-dyed (hitta shibori); and embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk and wrapped rayon in stem stitches; couching.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

A work made of opaque watercolor with gold on cotton.

Painted Banner (paubha) of Goddess Ushnishavijaya Within a Funerary Mound (chaitya) and Surrounded by Chaityas, 1513

A work made of carved sandalwood.

Fan, 19th century

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