Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, over traces of graphite, on cream wove card.

William Shows His Uncle Ed the Sights, 1909

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

Of Course There's a Santy!, 1910

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

The Summer 'White House' at Beverly is Now Open for Business, 1909

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

A Suggestion for Office Seekers in the Next Administration, 1913

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

The Two Peanuts, 1912

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

The Effect of the Tariff on Women's Fashions, 1913

John Tinney McCutcheon

A work made of pen and black ink, over traces of graphite, on cream wove card.

Crucial Days for the Iron Cross, 1916

John Tinney McCutcheon

Cylindrical stoneware cup with bands of polished facets at top and bottom, and unpolished central area with engraved tassel and floret bands. The foot ring and lid have silver mounts.

Rounded Up in the Square at Beament, 1914/15

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

The Mother's Plea, 1918

John Tinney McCutcheon

A work made of pen and black ink, over traces of graphite, on cream wove card.

World Wars are No Respectors of Neutral Toes, 1916

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

The Discovery of America, 1916

John Tinney McCutcheon

A work made of pen and black ink, over traces of graphite, on cream wove card.

Next!, 1918

John Tinney McCutcheon

A work made of pen and black ink, over traces of graphite, on cream wove card.

Grim-Visaged Peace, 1918

John Tinney McCutcheon

A work made of pen and brush and black ink and black crayon, over traces of graphite, on ivory laid paper, laid down on black wood-pulp laminate board.

Waiting for Wilson Under the Arc de Triomphe, 1919

John Tinney McCutcheon

A work made of black crayon, graphite, and blue colored pencil, with touches of pen and black ink, on ivory laid paper, laid down on black wood-pulp laminate board.

One of the U.S. Peace Commissaries, 1919

John Tinney McCutcheon

A work made of pen and black ink, with scraping, over traces of graphite, on cream wove card.

Their Lawyer, 1919

John Tinney McCutcheon

A work made of pen and black ink, over traces of graphite, on cream wove card.

He Can't Have Both, 1920

John Tinney McCutcheon

A work made of pen and black ink and black crayon on ivory laid paper, laid down on black wood-pulp laminate board.

Aeroplane Impression of the Rhine over Coblentz, 1919

John Tinney McCutcheon

A work made of pen and black ink, over traces of graphite, on cream wove card.

Leap Year! The Marion Man Accepts, 1920

John Tinney McCutcheon

A work made of pen and brush and black ink, over traces of graphite, on cream wove card.

At the Great Frisco Tournament, 1920

John Tinney McCutcheon

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