Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of various charcoals, with stumping, erasing, and incising, on pale-pink wove paper with red and blue fibers altered to a golden tone.

Cauldron of the Sorceress, 1879

Odilon Redon

A work made of etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé).

The Isle of the Dead, 1890

Max Klinger

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

A work made of gouache on cream wove paper, laid down onto paperboard.

Moonlight, Örebro, 1897

Gustav Edolf Fjaestad

A work made of lithograph in brown and blue, from two stones, with scraping on stones, on cream wove paper.

The Fools, 1899

František Kupka

A work made of charcoal on cream wove paper.

Study of a Plaster Mask, c. 1890

Hélène Andersen

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24, 1896

Odilon Redon

A work made of lithograph in black on light gray china paper laid down on white wove paper.

Des Esseintes, Frontispiece for A Rebours by J.K. Huysmans, 1888

Odilon Redon

A work made of soft varnish etching ("vernis mou"), drypoint and roulette on cream wove paper.

Frontispiece to Les baisers morts, 1893

Félicien Rops

Man's Head in Woman's Hair

Man's Head in Woman's Hair, 1896

Edvard Munch

Under the Hill

Under the Hill, 1904

Aubrey Vincent Beardsley

A work made of lithograph in black on ivory japanese paper.

Self-Portrait, 1895

Edvard Munch

A work made of woodcut printed from one block in blue and black ink on cream wove paper.

Self-Portrait in Moonlight, 1904–06

Edvard Munch

A work made of etching, aquatint and burnishing in black ink on ivory wove paper.

Night, from On Death Part I, 1888–89

Max Klinger

A work made of pastel on gray wove paper, with blue and black fibrous inclusions.

Self-Portrait, 1909

Gino Severini

A work made of watercolor and pen and black ink, over graphite, with touches of scraping, on cream wove paper.

Self-Portrait or Psychological Portrait of the Artist, 1905

Gustave Adolf Mossa

A work made of watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board.

L'Inspiration, c. 1893

Gustave Moreau

A work made of etching, soft ground etching, and aquatint, with drypoint, on cream wove paper.

Inspiration, 1908

Käthe Kollwitz

A work made of lithograph on cream wove paper.

Spring, after 1901

Ferdinand Hodler

A work made of black and white chalks with touches of red chalk on tan wove paper.

Joan of Arc Listening to the Voices, c. 1918

Georges Dorignac

<<<251252253254 >>>