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A work made of tempera and oil (?) on panel.

Triptych of the Crucifixion with Saints Anthony, Christopher, James and George, c. 1400

Netherlandish

A work made of tempera on panel.

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil, c. 1450

Antonio Vivarini

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Monica, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Bishop Saint, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Nicholas of Tolentino, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: The Assumption of the Virgin, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Anthony Abbot, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Bishop Saint, 1450–75

Italian

A work made of tempera and oil on panel.

Panels from the Altarpiece of The Assumption of the Virgin with Saints: Saint Giustina of Padua, 1450–75

Italian

Light wood sculpture of angel with shield looking towards devil at feet.

Saint Michael and the Devil, 1475/1500

Spanish

A work made of gilt bronze.

Corpus from a Processional Cross, 1370/1430

Tuscan

A work made of collage of cut printed, painted, and coated papers, with opaque paint, soft ground, brush and pink ink, pen and black ink, painted wood, sand, and graphite, on board.

Mayan Letters, 1958/91

Ray Johnson

A work made of faience.

Amulet of a Djed Column, Late Period, Dynasties 26–31 (664–332 BCE)

Ancient Egyptian

A work made of collage of cut printed and painted papers, with scraping and opaque watercolor, on boards.

Untitled (Ha Ha), 1965/66

Ray Johnson

A work made of sheet steel, brass, wire, and paint.

Streetcar, 1951

Alexander Calder

Serene abstract work featuring overlapping shapes on a neutral background. Some shapes are outlined and filled in with dots of the same color. At top left, a circle radiating purple dots contains an almond-shaped eye. Near bottom right is a small bright-red circle with a tiny arrow beside it.

Sunset, 1930

Paul Klee

A work made of collage of cut printed paper, with brush and black ink and stenciled gray wash, on board prepared with an oil-paint ground.

Untitled (Mencken), c. 1970

Ray Johnson

A work made of collage of cut and torn printed and painted papers, with pen and black ink and black porous-point pen, on board.

Untitled (Rimbaud), 1956

Ray Johnson

A work made of collage of cut printed, painted, and colored papers, with opaque matte yellow and green paints, on board.

Untitled (Rim Art Baud), c. 1957

Ray Johnson

A work made of wood and pokerwork.

Headrest (Isicamelo), 19th century

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