Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph on mounted ivory china paper.

Blossoming, plate one from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Wheel, plate three from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Gambler, plate five from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Limbo, plate four from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Felineness, plate seven from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Gnome, plate six from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted cream china paper.

Vision, plate eight from In Dreams, 1879

Odilon Redon

A work made of handcolored lithograph in black on mottled gray-blue wove paper (discolored to gray-green), laid down on white wove paper.

Madonna, 1895/96

Edvard Munch

A work made of lithograph on mounted ivory china paper.

On the Dish, plate ten from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Sad Ascent, plate nine from In Dreams, 1879

Odilon Redon

A work made of woodcut in black ink on lightweight ivory laid proofing paper.

Anxiety, 1896

Edvard Munch

A work made of lithograph in black ink on cream card.

The Scream, 1895

Edvard Munch

A work made of lithograph in black on ivory japanese paper.

Self-Portrait, 1895

Edvard Munch

A work made of woodcut printed from one block in blue and black ink on cream wove paper.

Self-Portrait in Moonlight, 1904–06

Edvard Munch

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

A work made of etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé).

The Isle of the Dead, 1890

Max Klinger

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of etching on chine collé, laid down on cream laid paper.

Lucifer, c. 1890

Franz von Stuck

A work made of etching, soft ground etching, and aquatint, with drypoint, on cream wove paper.

Inspiration, 1908

Käthe Kollwitz

<<<244245246247 >>>