Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color aquatint, with drypoint, on paper.

5907, 1959

Fayga Ostrower

A work made of brush and black ink, white oil paint, and charcoal on off-white wove paper.

Chicago, 1959

Franz Kline

A work made of wood, glass beads, and thread.

Ceremonial Staff, Mid–20th century (before 1962)

Tutsi

A work made of terracotta and pigment.

Couscous Platter, Early/mid–20th century

Aït bou Addou

A work made of wood and pigment.

Dance Staff (Oshe Sango), Early 20th century

Yoruba

A work made of gouache, ink and oil stick with scraping, on cream wove paper, torn, pasted and pieced.

Untitled (Berkeley), 1955

Richard Diebenkorn

A work made of wood, leather, and sacrificial material.

Figural Container, Late 19th-early 20th century

Zigua

A work made of wood and metal.

Female Figure, Early 20th century

Nyamwezi

A work made of wood and pigment.

Stool with Cocoa-Pod Harvester, 20th century

Asante

A work made of gouache with watercolor on cream watercolor paper.

Contemporary Ikon, 1954

Jimmy Ernst

A work made of watercolor with tempera and graphite on white wove paper.

Untitled, c. 1944

Mark Rothko

A work made of crayons and pen and brush with black ink on cream wove paper.

Untitled, n.d.

Pennerton West

A work made of pen and brown ink, black ink splatter, blue and orange crayons, with incising, on ivory wove paper.

Abstraction, 1960

Stanley William Hayter

A work made of embossing on ivory wove paper.

Untitled, 1953

Claire Falkenstein

A work made of color lithograph on white nacre paper.

Untitled, 1961

Tetsuo Ochikubo

A work made of gouache, selectively incised, on cream wove paper.

Untitled, 1955

David Smith

A work made of watercolor and gouache on cream wove paper.

Untitled, 1961

Beauford Delaney

A work made of lithograph on cream wove paper.

Litho #2 (Waves #2), 1960

Willem de Kooning

A work made of watercolor on ivory laid paper.

Untitled, c. 1950

Hedda Sterne

A work made of lithograph in black on white laid paper.

Zen, 1958

George Joji Miyasaki

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