Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite on white tracing paper.

Working Drawing for Floor, 1993

Julia Fish

A work made of lithograph on cream wove paper.

Litho #2 (Waves #2), 1960

Willem de Kooning

A work made of color screenprint, heightened with watercolor on white wove paper.

The Weirdo Make-Over, 1983

Robert Crumb

A work made of stick and black and colored inks, with white gouache, on ivory wove paper.

Aphrodite (Negril) with Green, 1991–94

Brice Marden

A work made of acrylic on ivory wove paper.

Untitled (Landscape), 1967

Sigmar Polke

A work made of gouache, ink and oil stick with scraping, on cream wove paper, torn, pasted and pieced.

Untitled (Berkeley), 1955

Richard Diebenkorn

A work made of acrylic on chromogenic color print.

17.3.92, 1992

Gerhard Richter

A work made of dry-pigment on paper.

Smaller Dish, 1985

Ed Ruscha

A work made of black lithographic crayon on brown wove paper.

Self-Portrait, 1922

Ludwig Meidner

A work made of acrylic on chromogenic color print.

19.3.92, 1992

Gerhard Richter

A work made of black and white conté crayon, with stumping, on ivory wove paper.

Study for "Many Mansions", 1994

Kerry James Marshall

A work made of graphite, with touches of brush and black ink, on white wove paper.

Untitled, 1969

Lee Bontecou

A work made of rubbed gunpowder on white wove paper.

Trailer, 1968

Ed Ruscha

A work made of charcoal, oiled charcoal, and compressed charcoal, with smudging and erasing, on cream wove paper.

Seated Nude, Profile, 1966

Richard Diebenkorn

Self-Portrait

Self-Portrait, 1981

Mark Stock

Halston

Halston, c. 1974

Andy Warhol

She Was Tired of Filling her Heart with Hopeless Dreams

She Was Tired of Filling her Heart with Hopeless Dreams, 1988

Hollis Sigler

A white sheet of paper covered in the word "Backlash," printed over and over again in black. The words overlap and intersect and split up, creating a gradient—light at the top of the paper, and dark (almost illegible) at the bottom.

Backlash, Backlash..., 1991

Glenn Ligon

A work made of collage of orange fabric with graphite and colored pencils, with smudging and black ball-point pen, heightened with white acrylic, stapled to ivory wood-pulp laminate board.

Valley Curtain, 1972

Christo

Manuel

Manuel, 1980

Robert Carston Arneson

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