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A work made of lithograph in black on ivory wove paper.

The Reappearance of the Tritons of the Sea, plate 412 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“Overloaded! It is going to burst!,” plate 67 from Actualités, 1867

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Kiss of Circumstances, plate 50 from Actualités, 1867

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“What about that..., they don't seem to be interested in me any more,” plate 89 from Actualités, 1866

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A European Concert. Not allowed to participate in this part, plate 171 from Actualités, 1867

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

A New Outfit for the Lion's Hunt, plate 395 from Actualités, 1857

Honoré-Victorin Daumier

A work.

Fragment (Dress Fabric), 18th century

A work made of brocaded plain simple cloth, taffeta, silk, and gold wound on yellow silk core.

Fragment (Dress Fabric), 18th century

A work.

Fragment (Dress Fabric), 1675/1900

A work.

Panel (Dress Fabric), 18th/19th century

A work made of book of musical compositions, illustrated with twenty lithographs in black, on cream wove paper.

Petites Scenes Familieres, 1893

Pierre Bonnard

A work made of color woodblock print; oban.

Ox (Ushi), from the series "Twelve Hours of the Floating World (Ukiyo juni shi)", c. 1780/1801

Katsukawa Shunchô

A work made of silk; fancy compound satin, silk and silver on narrow paper.

Panel (Curtain?), Qing dynasty (1644–1911), 1875/1910

A work made of plain double cloth, silk.

Fragment (Dress Fabric), 1601/25

A work made of fancy double cloth, silk.

Fragment (Dress Fabric), 1601/25

A work made of brocaded plain simple twill, silk.

Fragment (Dress Fabric), 18th/19th century

A work made of etching printed in relief on ivory wove paper.

Trees, 1848

Henri Joseph Harpignies

A work made of etching on ivory china paper, laid down on ivory wove paper.

Birches and Oaks, 1848, printed 1849

Henri Joseph Harpignies

A work made of etching in color heightened with graphite, on ivory wove paper.

The Absinthe Drinker, c. 1890

Albert-Emmanuel Bertrand

A work made of lithograph in blue, red, yellow and tan on tan wove paper.

The Light, from the third album of L'Estampe originale, 1893

Alexandre Lunois

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