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A work made of etching from a zinc plate, and hand-coloring, on cream wove paper.

Menu for Charles Vos, 1896

James Ensor

A work made of engraving on paper.

Château de Zinc, December 9, 1956

Pierre Courtin

A work made of chiaroscuro woodcut in black and tan on paper.

Saint Cecilia, c. 1530

Antonio da Trento

A work made of woodcut on paper.

Young Man Lying on a Grave, 1803–04

Caspar David Friedrich

A work made of woodcut on paper.

Self-Portrait, n.d.

Caspar David Friedrich

A work made of etching and engraving, with drypoint, in black on off white laid paper.

Two Beggars Fighting, 1612–16

Jacques Bellange

A work made of engraving, soft ground etching, and scorper on white wove paper.

The Drowned/The Flood, 1955

Stanley William Hayter

A work made of etching on cream laid paper.

Book Plate of Lessing and Edith Rosenwald, n.d.

David Young Cameron

A work made of etching on white wove paper.

Nude in Profile, 1955

Alberto Giacometti

A work.

Fragment, 17th century

A work made of lithograph in black on white wove paper.

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier, 1865

Honoré-Victorin Daumier

A work made of lithograph in black on buff wove paper.

“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver, 1865

Honoré-Victorin Daumier

A work made of etching on paper.

Frontispiece, from Varie Figure Gobbi, 1616

Jacques Callot

A work made of lithograph in black on ivory wove paper.

“- No matter how much I rock him, it is impossible to make him fall asleep,” plate 105 from Actualités, 1866

Honoré-Victorin Daumier

A work made of lithograph in black on buff wove paper.

Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle, 1855

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

“- Difficult to imagine that in my days I also was an acclaimed Spanish dancer... nowadays only my castanets are Spanish... what a drag...,” plate 11 from Croquis Dramatiques, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- You seems to enjoy doing my work. In exchange I could offer doing your job: I will go for a ride in your coach!,” plate 249 from Les Parisiens A La Campagne, 1865

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Reappearance of the Tritons of the Sea, plate 412 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“Overloaded! It is going to burst!,” plate 67 from Actualités, 1867

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Kiss of Circumstances, plate 50 from Actualités, 1867

Honoré-Victorin Daumier

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