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A work made of etching on off-white wove paper.

Nude Sketches, 1917

John Sloan

A work made of graphite on cream wove paper.

Front View of Seated Lioness, n.d.

Frederik William Zurcher

A work made of lithograph in black on ivory wove paper.

“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens, February 18, 1857

Honoré-Victorin Daumier

A work made of pen and black ink, heightened with white gouache, over graphite, on ivory wove card.

Opening of Parliment under Edward VII, c. 1904

Douglas MacPherson

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

“- Arthur, you had promised me a throne and all you did is put me behind a counter. - Eloise, remember Napoleon's definition of a throne: 'four boards covered with a carpet.' You are sitting on six boards and a cushion,” plate 36 from Moeurs Conjugales, published April 11, 1841

Honoré-Victorin Daumier

A work made of graphite on cream wove paper (discolored to tan).

Lioness Roaring, n.d.

Frederik William Zurcher

A work made of etching and aquatint on cream wove paper.

Nude on Posing Stand, 1931

John Sloan

A work made of lithograph in black on ivory wove paper, with letterpress verso.

The Reappearance of the Tritons of the Sea, plate 412 from Actualités, 1857

Honoré-Victorin Daumier

A work made of pen and black ink, over graphite, on ivory bristol board.

Timothy Tom, c. 1905

Albert Edward Jackson

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie, published May 14, 1840

Honoré-Victorin Daumier

A work made of pen and black ink, with touches of pale blue pencil, over graphite, on ivory bristol board.

Immediate Views Around Tunis, c. 1906

George Kingston Jones

A work made of lithograph in black on buff wove paper, with letterpress verso.

These are the joys of horseback racing, plate 411 from Actualités, 1857

Honoré-Victorin Daumier

A work made of brush and black gouache, with gray wash, traces of graphite, heightened with white gouache, on tan board.

Balloon Ride From Hendon to Wrotham, c. 1900

Unknown artist

A work made of pen and black ink, with pale blue pencil, over graphite, with pen and black ink, on ivory wove paper cut-out, on ivory bristol board.

Timothy Tom, c. 1905

Albert Edward Jackson

A work made of lithograph in black on buff wove paper, with letterpress verso.

The Despair of the Butcher. “- Just imagine: Anybody can establish himself as a butcher! Ah! There are moments when I feel like taking my meat chopper and cutting myself in two halves like a simple veal,” plate 458 from Actualités, 1857

Honoré-Victorin Daumier

A work made of pen and black ink on tan board.

A Woman's Secret, c. 1906

E. P. Kinsella

A work made of soft ground etching with foul biting in black on ivory wove paper.

Louise Nude on a Sofa, 1895

Suzanne Valadon

A work made of black gouache, with brush and gray wash, heightened with white gouache, over graphite, on cream board.

Funeral Services at Gotha, c. 1899

A. E. Wilson

A work made of gouache, with graphite, on tan board.

Some Disadvantages of Being too Novel of a Fancy Dress Ball, c. 1904

Pirkis

A work made of pen and black ink on cream card.

The Fight Between the Shoonahs and the Alembas, 19th century

Unknown artist

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