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A work made of black crayon, with graphite, on cream wove paper.

Portrait Head of Girl, n.d.

J. Aspinall

A work made of black and white chalk, on blue laid paper, tipped onto brown laid paper.

Ruth and Boaz, n.d.

Jacob Weyer

A work made of hand-colored etching on ivory wove paper.

Rural Sports, or How to Show Off a Well-shaped Leg, published October 1811

Thomas Rowlandson

A work made of hand-colored etching on ivory wove paper.

A Man of Feeling, published December 2, 1811

Thomas Rowlandson

A work made of black chalk, on blue laid paper, tipped onto buff wove paper.

Ruins Overlooking River with Bridge, n.d.

Adriaen Pietersz. van de Venne

A work made of lithograph in black on ivory wove paper.

Head, n.d.

Umberto Romano

A work made of pen and black ink, with brush and gray wash, on cream laid paper, laid down on cream laid paper.

View of Farm Land Near the Sea, c. 1770

M. Venner

A work made of lithograph in black on ivory wove paper, with letterpress verso.

The Parisian “- Tell me, good man, what are you doing with all these cows once they have become old and don't give milk any more? The Cowherd “- Silly question... we make oxen out of them!,” plate 13 from Ces Bons Parisiens, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa, published March 29, 1840

Honoré-Victorin Daumier

A work made of pen and brown ink over graphite, on buff laid paper, laid down on board.

Young Bacchus and Companions, n.d.

Ignatius van Logteren

A work made of lithograph in black on buff wove paper, with letterpress verso.

“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on glazed buff wove paper.

Breton Girl, c. 1890

Paul Sérusier

A work made of pen and black ink, with brush and gray wash, on ivory laid paper.

David Cutting Off Skirt of Saul's Robe, n.d.

Unknown

A work made of pen and brown ink, and brush and brown wash, on cream laid paper.

Funerary Monument Inscribed "Poesia Muta", n.d.

Unknown

A work made of lithograph in pink, blue-gray, blue, green, dark green, yellow and orange on ivory wove paper.

The Andelys, 1895

Paul Signac

A work made of lithograph in black on ivory wove paper, with letterpress verso.

Having finally found the solution to spend the summer of 1857 in a pleasant way, plate 429 from Actualités, 1857

Honoré-Victorin Daumier

A work made of black chalk, heightened with lead white (discolored), on tan wove paper, tipped on blue laid paper, tipped on tan wove paper.

Rape of the Sabines, 18th century

Unknown artist

A work made of graphite on cream wove paper (discolored to tan).

Standing Lion with Shaggy Mane, n.d.

Frederik William Zurcher

A work made of lithograph in black with scraping on stone on cream wove paper, with text added in another hand and letterpress verso.

The Gown Falls, Man Remains, and the Legs are Shaking. (J.B. Rousseau), plate 10 from Coquetterie, published October 18, 1840

Honoré-Victorin Daumier

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