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A work made of silk, plain weave with supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, 1601/25

A work made of silk, cut, uncut, voided velvet against satin weave foundation.

Fragment, 1601/35

A work made of cut and uncut velvet.

Fragment (Dress Fabric), 1600/50

A work made of silk, warp-float faced satin weave with supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, c. 1600

A work made of cisele voided cloth velvet.

Velvet, 1600/50

A work made of silk, satin weave with supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, early 17th century

A work made of silk and gilt-metal strips, plain weave with supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet.

Fragment, 1575/1625

A work made of silk, plain weave with supplementary pile warps forming cut voided velvet.

Fragment, 1575/1600

Earthenware pitcher with swirly designed handle and luster leaf patterns decorated with a chest-high portrait of a dressed-up lady looking left.

Fragment, 1575/1600

A work made of silk and silvered-metal strips, plain weave with supplementary facing wefts and supplementary pile warps forming uncut and voided velvet.

Fragment, 19th century

A work made of hand-colored aquatint on ivory wove paper.

Symptoms of a Skurry, plate three from The Leicestershire Hunt, published 1825

John Dean Paul

A work made of silk, cut, uncut, voided velvet against plain weave foundation.

Fragment, 17th century

A work made of silk, cut, uncut, and voided velvet against satin weave foundation.

Fragment, 1750/1800

A work made of cisele voided satin velvet.

Fragment (Dress Fabric), 1650/1700

A work made of silk, plain weave with supplementary pile warps forming cut, uncut, and voided velvet.

Fragment, 1625/50

A work made of engraving in black on ivory wove paper.

General Capper of the Tanks, n.d.

Francis Dodd

A work made of linen, plain weave; open work; two panels joined.

Altar Cover, 19th century

A work made of woodcut in black on ivory laid paper.

Saint Christopher, 1506, published 1509

Lucas Cranach the Elder

A work made of hand-colored aquatint on ivory wove paper.

A Struggle for the Start, plate one from The Leicestershire Hunt, published 1825

John Dean Paul

A work made of hand-colored aquatint on ivory wove paper.

The First Ten Minutes, plate two from The Leicestershire Hunt, published 1825

John Dean Paul

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