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A work made of silk and gilt-metal strips, warp-float faced twill weave with supplementary facing wefts bound by secondary binding warps and three-color supplementary pile warps forming cut voided velvet.

Portion of a Waistcoat (Front), 1775/1800

A work made of silk, cut, and voided velvet with additional patterning wefts tied in twill weave against plain weave foundation.

Fragment, 1725/50

A work made of etching and drypoint in black on japanese paper.

The Lone Tree, 1928

Dirk Baksteen

A work made of silk; velvet bands: cut, voided, warp painted; against satin weave foundation; alternating with satin weave bands.

Fragment, 1750/1800

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by three-color complementary ground wefts and areas of plain weave.

Fragment, c. 1715/19

A work made of silk, satin weave self-patterned by reversing of faces.

Border, 1601/25

A work.

Pillow Cover, c. 1880

Fragment

Fragment, 15th/16th century

A work.

Bell Pull, 1825/75

A work made of silk, plain weave with supplementary patterning warps and supplementary pile warps forming cut and uncut voided velvet.

Fragment, 1625/75

A work made of front and back of silk, plain weave; stitched and embroidered together with silk floss and gold gilt strip wound silk core in long and short, running, satin and stem stitches (reversible).

Fragment, 17th century

A work made of linen, plain weave; embroidered with silk in back, double running, overcast, running, and split stitches; couching and french knots; edged with silk and linen, bobbin lace.

Border, 1601/50

A work made of linen, plain weave; embroidered with silk floss, and gilt- and silvered-metal-strip-wrapped silk in tent stitches; padded couching.

Fragment, 17th century

A work made of silk, gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in twill interlacings, some bound by supplementary binding warps, and self-patterned by areas of twill interlacing.

Panel, c. 1860/1890 (based on a 1720s lace pattern)

A work made of linen, plain weave; embroidered in double running, hem and two-sided italian cross stitches; edged with bobbin straight lace.

Cover, 1601/50

A work made of silk; embroidered with silk and metal thread.

Medallion, 17th century

A work made of silk, plain weave; embroidered with silk floss.

Panel, 1775/1800

A work made of silk and silk-wrapped linen cords, bobbin straight lace.

Braid, 1650/75

A work made of etching and engraving in black on ivory laid paper.

The Reed Offered to Christ, 1630/40

Anthony van Dyck

A work made of silk and silk-wrapped-hemp and silk-wrapped-linen cords, bobbin straight lace.

Braid, 1650/75

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