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A work made of black chalk with pen and brown ink, heightened with lead white (partially discolored) (recto), and black chalk (verso), on cream laid paper, recto squared in black chalk.

Circumcision of the Christ Child (recto); Marriage of the Virgin (verso), c. 1577

Follower of Paolo Veronese

A work made of blue silk and gold net and gauze mount decorated with spangles; carved wood sticks with piqué; gilt rivet and loop.

Fan, 19th century

A work made of black crayon, with touches of graphite, over charcoal, with stumping, on cream laid paper.

Jean-Auguste-Dominique Ingres, 1865

Henri Fantin-Latour

Silver-toned reliquary in the shape of a long rectangle with an upper resembling a pitched roof. In relief on its side, armed figures surround a falling figure in distress as a single figure attacks him.

Reliquary Casket of Saints Adrian and Natalia, 1100/50

A work made of etching on paper.

The Bank of Escaut, 1841

Carel Nicholaas Storm van's Gravesunde

A work made of drypoint on paper.

Venice, 1841

Carel Nicholaas Storm van's Gravesunde

A work made of drypoint on paper.

The Calm, n.d.

Carel Nicholaas Storm van's Gravesunde

A work made of silk, satin damask weave.

Panel, 16th/17th century

A work made of rayon, plain weave self-patterned by rows of gauze crossings (yoko ro); resist dyed, stenciled and dye extracted through use of chemical discharge dyeing (bassen) (yûzen-zome: utsushinori and hitta shibori); embroidered with cotton, rayon and gold and silver-leaf-over-lacquered-paper-strip wrapped silk in satin stitches and underside couching; lined with silk and cotton, stripes of warp-float faced 4:1 satin weave and stripes of 3:1 (plain interlacing in alternate alignment) plain weave derived float weave (cannelé alternatif); printed.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

A work made of silk, 4:1 satin damask weave (donsu); tie-dyed (hitta shibori); and embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk and wrapped rayon in stem stitches; couching.

Nagoya Obi (Formal Belt), 1920/26, late Taishô period (1912–1926)

A work made of opaque watercolor with gold on cotton.

Painted Banner (paubha) of Goddess Ushnishavijaya Within a Funerary Mound (chaitya) and Surrounded by Chaityas, 1513

A work made of carved sandalwood.

Fan, 19th century

White ceramic cup with red and blue flowers and square handle.

Tankard (Hanap) with Tulips, Hyacinths, Roses, and Carnations, Ottoman dynasty (1299–1923), Late 16th century

Islamic

A work made of silk and gilt strip wound around a silk fiber core, plain weave with complementary wefts.

Fragment (Border)

A work made of cotton, plain weave; engraved roller printed.

La Vie de Jeanne d'Arc (The Life of Joan of Arc) (Furnishing Fabric), after 1817

Charles Abraham Chasselat

A work made of bronze.

Bodhisattva Avalokiteshvara, Angkor period, late 12th–early 13th century

Khmer

A work made of watercolor and gouache, over graphite, on off-white wove paper, edge mounted on cream wove card.

Mussooree and the Dhoon from Landour, c. 1835

Joseph Mallord William Turner

A work made of pigment and gold on cotton.

Painted Banner (Thangka) of Five Morality Tales from the Avadana Kalpalata Jataka, late 18th century

A work made of pigment and gold on cotton.

Painted Banner (Thangka) with the Medicine Buddha (Bhaishajyaguru), 14th century

Cup shaped ceramic vessel with red glyphs and dancing figures, orange on cream ground.

Vessel with Dancing Maize Gods, 780–810 CE

Aj Maxam

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