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A work made of color lithograph on ivory wove paper.

Wilhelm I, King of Prussia, from Les Génies de la Mort, 1870

Edmond Guilliaume

A work made of color lithograph on ivory wove paper.

Bismarck, from Les Génies de la Mort, 1870

Edmond Guilliaume

A work made of stipple etching and engraving on ivory laid paper.

Lear Casting out his Daughter Cordelia, 1792

Richard Earlom

A work made of etched-stipple proof on ivory laid paper.

Lear Casting out his Daughter Cordelia, 1792

Richard Earlom

A work made of etching on white wove paper.

Kai, 1991/92

Lucian Freud

A work made of lithograph in red on white wove paper.

Plate One, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of lithograph in blue on white wove paper.

Plate Three, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of lithograph in green on white wove paper.

Plate Two, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of mezzotint in black on ivory laid paper.

A Blacksmith's Shop, 1771

Richard Earlom

A work made of lithograph in black on white wove paper.

Plate Four, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of color screenprint on white wove paper.

Column No. 4 (IB Affair), 1974

Oyvind Fahlström

A work made of color screenprint on white wove paper.

Column No. 2 (Picasso 90), 1973

Oyvind Fahlström

A work made of solar plate intaglio on white wove paper.

Man/Woman/Dog: Untitled, n.d.

Eric Fischl

A work made of etching on ivory chine collé, laid down on ivory wove paper.

The Old Oak by the Pools at Bellecroix, 1843

Eugène Blery

A work made of etching and drypoint on ivory wove chine collé on ivory wove paper.

The Bouquet of Trees, or The Lindens (Souvenir of the Sarthe), 1861

Eugène Blery

A work made of color screenprint on black wove paper.

Athens to Memphis, 1984

Doug Huston

A work made of etching on cream kitakata chine collé, laid down on white wove paper.

Root, 1993

Richard Hull

A work made of etching, roulette, and drypoint on cream chine collé, laid down on cream wove paper.

The Large Thistle, plate three from Les quatres grandes plantes, 1843

Eugène Blery

A work made of screenprint in gray, with heavy overprint varnish, on white wove paper.

Sailors, 1972

Richard Artschwager

A work made of lithograph in black on tan wove paper.

Untitled, plate one from Album 13, 1948

Joan Miró

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