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A work made of full brown goat skin binding; onlays on spine spell ubu; marbled endpapers; original paper covers bound in.

Ubu enchainé, Published 1937; rebound 1937-1950

Mary Reynolds

A work made of full tan calfskin binding; leather-covered cut outs and onlays on covers and spine spell ubu cocu in various colors of morocco (goatskin); author stamped in gold on spine; decorated endpapers; original paper covers bound in.

Ubu cocu, restitué en son intégrité tel qu'il a été représenté par les marionnettes du Théâtre des Phynances: Cinq actes, Published 1944; rebound 1944-1950

Mary Reynolds

A work made of full black morocco binding with onlay; metal corset stay attached to spine; title stamped in gold on spine; mauve endpapers printed with wire-mesh pattern; original paper covers bound in.

Le surmâle: Roman moderne (Superman: A Modern Novel), Published 1945; rebound 1945-1950

Mary Reynolds

A work made of cardboard box with punched holes forming the title, a green flocked interior, and copper strips forming an m on the front cover and a d on the back cover; the box contains 93 facsimiles of manuscript notes, drawings, and photographs, one additional color print of “neuf moules mâlic” (nine malic molds) under glass in the back cover, and one manuscript item..

La mariée mise à nu par ses célibataires même (The Bride Stripped Bare by Her Bachelors, Even) (The Green Box), Paris: Édition Rrose Sélavy, 1934

Marcel Duchamp

A work made of full goatskin with dotted-blue-calfskin onlays and gold stamping; tan wove endpapers speckled with gold leaf.

Chêne et chien: roman en vers, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of full vellum binding with thick boards; author and title stamped in gold on spine; orange endpapers; gilt edges; original paper covers bound in.

Préface à un livre futur (Preface to a Future Book), Published 1922; rebound 1930-1942

Mary Reynolds

A work made of illustrated book with 54 plates.

Les Mains libres: Dessins de Man Ray, illustrés par les poèmes de Paul Éluard (Free Hands: Drawings illustrated by the poems of Paul Éluard), Paris: Éditions J. Bucher, 1937

Man Ray (Emmanuel Radnitzky)

A work made of full leather binding composed of three panels: green calfskin, beige pigskin, and tan morocco (goatskin); author and title stamped on spine; marbled endpapers; original paper covers bound in.

Ubu sur la butte: Réduction en deux actes d'Ubu roi, Published 1906; rebound 1930-1950

Mary Reynolds

A work made of full gray morocco binding; leather covered raised panel with glass thermometer inset on spine; author and title stamped in gold on spine; doublures with onlays; top edge gilt; original paper covers bound in.

Un rude hiver: Roman, Published 1939; rebound 1939-1950

Mary Reynolds

A work made of full black calfskin binding; horizontal vellum onlay; title in black ink on front cover; author's name in black ink on back cover; japanese endpapers; original paper covers bound in.

Odile: Roman, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of quarter morocco binding with brown paper; reptile-skin inlays; author and title stamped in gold on spine; original paper covers bound in.

Secrets de la jungle (Jungle Ways), Published 1931; rebound 1931-1942.

Mary Reynolds

Lead-glazed earthenware pitcher with the top part decorated in copper luster and the lower half being pebble-textured.

Pitcher, 1810/20

A work made of full sienna, pink, and beige goatskin with cotton cord, grey-card onlays with trial stamps of a typographic plate made for duchamp's box in a valise. endpapers printed in pochoir with fern-leaf pattern and hand-drawn insects in black ink.

Rrose Sélavy, Published 1939; rebound 1940-1941

Mary Reynolds

A work made of full leather with fluted spine and white- and black-goatskin onlays; orange silk endpapers, emerald and terracotta goatskin doublures, top edge gilt; paper-covered slipcase with goatskin trim and felt lining.

Hebdomeros: le paintre et son génie chez l'écrivain, Published 1929; rebound 1936-1939

Mary Reynolds

A work made of full tan morocco binding; boards die cut in the shape of u; onlays on spine in shape of b; black silk endleaves; crown stamped in gold on front endleaf; author stamped in gold on back endleaf; gilt edges; original paper covers bound in.

Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts), Published 1921; rebound 1934-1935

Mary Reynolds

A work made of full brown leather embossed in a herringbone pattern, with black calfskin-covered, die-cut panels; gold stamping; and inlaid perforated copper sheets; green glassine endpapers and gilt edges; original paper covers bound in.

Gestes et opinions du Docteur Faustroll, pataphysicien (Exploits and Opinions of Doctor Faustroll, Pataphysician), Published 1923; rebound 1930-1950

Mary Reynolds

A work made of full green morocco binding; horizontal onlay across covers and spine; china teacup handle attached by onlay to spine; title stamped in gold on front cover; author stamped in gold on back cover; marbled endpapers; original paper covers bound in.

Saint Glinglin: précédé d'une nouvelle version de Gueule de Pierre et des Temps mêlés: Roman, Published 1949; rebound 1949-1950

Mary Reynolds

A work made of full red morocco binding with raised bands; author and title stamped in gold on spine; endpapers of trial proofs for marcel duchamp's 1935 cover of minotaure; original paper covers bound in.

Loin de Rueil (Skin of Dreams), Published 1944; rebound 1945-1950

Mary Reynolds

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

A work made of full vellum with gold stamping on black-calfskin label; wine-colored, glazed-paper endpapers; inscription and drawing by cocteau.

Dessins (Drawings), Published 1924; rebound 1930-1942

Mary Reynolds

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