Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of polyester and rayon, warp-float faced satin weave self-patterned by areas of twill and plain interlacings.

Brocatelle (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, palin weave with supplementary patterning wefts and self-patterned by main warp and ground weft floats.

Grosgrain Rib (Blanket), 1995

Kristie Strasen

A work made of gelatin silver print.

Untitled, 1920/60

Unknown Maker

A work made of linen, plain weave; screen printed.

Panel, 1930s

Donald Deskey

A work made of linen, plain weave, block printed with surface paint corrections.

Panel (Furnishing Fabric), 1955

Ling Po

A work made of cotton, plain weave; block printed.

Antelopes, 1929/30

Paul Poiret

A work made of cotton and rayon, warp-float faced satin weave with supplementary patterning wefts tied by secondary binding warps in plain interlacings and self-patterned by ground weft floats.

Modern Damask (Sample), 1951

F. Schumacher & Co.

A work made of linen and cotton, two-color complementary wefts in plain, twill, and satin weaves.

Sample, 1925/75

F. Schumacher & Co.

A work made of cotton, plain weave with self-patterning complementary ground wefts bound by secondary binding warps in plain interlacings.

Sample, 1930s (produced 1950s)

Paul Follot

A work made of cotton wool and rayon, plain and twill weaves of complementary warps and self-patterning complementary ground wefts.

Sample, 1925/75

F. Schumacher & Co.

A work made of silk and gilt metal wrapped silk, satin weave with supplementary brocading wefts bound in twill interlacing and self-patterned by reversing of faces.

Panel, 1900

F. Schumacher & Co.

A work made of cotton, plain weave; screen printed.

Plumes, 1929/30

Paul Poiret

A work made of cotton, plain weave; engraved roller printed.

The Eisenhower Toile (Furnishing Fabric), c. 1953

Elisabeth Draper

A work made of cotton, plain weave; probably screen printed.

Juin, 1929/30

Paul Poiret

A work made of silk, wild silk and gold gilt strip wound around silk and wild silk fiber core, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing.

Panel, 1928/29 (reproduction of 18th century design)

F. Schumacher & Co.

A work made of silk, wild silk, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing.

Panel, c. 1928/29 (reproduction of an 18th century design)

F. Schumacher & Co.

A work made of gelatin silver print.

Untitled, c. 1963

Robert Earl Wilson

A work made of albumen print, plate 44 from the album "photographic views of the sherman campaign" (1866).

Destruction of Hood's Ordinance Train, 1864

George N. Barnard

A work made of gelatin silver print.

The Crouched Ones (Los agachados), 1934

Manuel Alvarez-Bravo

A work made of gelatin silver print.

Mary Reynolds, c. 1919/50

Man Ray (Emmanuel Radnitzky)

<<<179180181182 >>>