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A work made of lithograph on white wove paper.

The Lost Planet, 1972

H. C. Westermann

A work made of color lithograph on cream wove paper.

The Giants, from Cuevas Comedies, 1971, published February 1972

José Luis Cuevas

A work made of color lithograph on white wove paper.

The Giants, from Cuevas Comedies, 1971, published February 1972

José Luis Cuevas

A work made of lithograph on white wove paper.

Holiday Inn, 1972

H. C. Westermann

A work made of color lithograph on ivory wove paper.

The Giants, from Cuevas Comedies, 1971, published February 1972

José Luis Cuevas

A work made of color lithograph on ivory wove paper.

The Giants, from Cuevas Comedies, 1971, published February 1972

José Luis Cuevas

A work made of color lithograph on ivory wove paper.

Folio cover for The Giants, from Cuevas Comedies, 1971, published February 1972

José Luis Cuevas

A work made of color lithograph on ivory wove paper.

The Giants, from Cuevas Comedies, 1971, published February 1972

José Luis Cuevas

A work made of screenprint in green, blue, red, and black on white wove illlustration board.

Riverboat Western World, n.d.

Robert William Addison

A work made of drypoint and mezzotint in black, brown and purple ink on cream wove paper.

Comedy No. 7, Dürer's Melancholy, 1968

Jirí Anderle

A work made of lithograph in red and black on grayish-ivory laid china paper.

Frontal Portrait from the Waist Up of Maxime Gorki, 1905

Théophile-Alexandre Pierre Steinlen

A work made of color lithograph on white wove paper.

Cold Light, 1971

James Rosenquist

A work made of color etching and relief on white wove paper.

Land of Orchid III, 1971

Rudy Pozzatti

A work made of color lithograph and etching on white wove paper.

Land of Orchid II, 1971

Rudy Pozzatti

A work made of lithograph in blue on ivory wove paper.

Tulip, 1965

Lowell Nesbitt

A work made of etching, spit bite aquatint, and plate tone on brown japanese paper, laid down on white wove paper.

Danzantes, 1972

Mary Gehr

A work made of color screenprint on white wove paper.

Boreal, from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela), 1972

Alejandro Otero

A work made of color screenprint on white wove paper.

Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela), 1972

Manuel Espinoza

A work made of etching, with drypoint, in black on ivory laid paper.

The Crucifixion of Polycrates, c. 1662

Salvator Rosa

A work made of color lithograph on white wove paper.

Sundance, n.d.

Arthur Secunda

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