Curator

  • Art Institute Chicago
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A work made of stumped charcoal, with erasing and touches of direct charcoal marks, on ivory wove paper, pieced.

Seated Nude with Arms Raised, c. 1925

Henri Matisse

A work made of colored pencils on ivory wove paper.

Blue Vase on a Venetian Armchair, 1943

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Young Woman before a Table, 1944

Henri Matisse

A work made of pen and black ink on cream wove paper.

Woman Seated at a Table with Fruit and Pitcher, July 1944

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Matisse's Dining Room-1941, 1941

Henri Matisse

A work made of pen and black ink on cream wove paper.

Untitled, May 1947

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Girl at a Table, April 1944

Henri Matisse

A work made of black crayon on ivory wove paper.

Head of a Woman, 1942

Henri Matisse

A work made of brush and black ink on ivory wove paper.

Head, July 1947

Henri Matisse

A work made of linen, plain weave; screen printed.

Océanie - La Mer (Oceania - The Sea), 1948

Henri Matisse

A work made of charcoal, with wiping, on ivory laid paper.

Bust of a Woman, July 1944

Henri Matisse

A work made of 15 pastel drawings on white wove paper.

Boost West, 1990

Edgar Heap of Birds

A work made of pieced of nine strips of cotton; plain weave with bands of supplementary patterning wefts.

Blanket, Mid–20th century

Dogon

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted; lined with silk, 3:1 twill weave self-patterned by areas of plain interlacing.

Man's Rank Badge, 1880/1900, Qing dynasty (1644–1911)

Manchu

A work made of etching and aquatint in brown on tan wove paper.

The Carmagnole, 1901

Käthe Kollwitz

A work made of oil on canvas.

Still Life, February 4, 1922

Pablo Picasso

A work made of glass, blown technique.

Jar, 3rd-4th century

Ancient Roman

A work made of blue ballpoint pen, colored pencil, and pastel on cream wove paper.

Poverty Hollar Near Luck Missouri, 1966

Joseph Yoakum

Border Fragments

Border Fragments, 100 BCE–200 CE

Nasca

Painting of a cabin set below a dark blue sky and fluffy white clouds. Behind it is a field of many small white dots. In front, a dark-skinned woman sits and a dark-skinned child plays among roaming chickens and dogs in a fenced-in yard.

Cabin in the Cotton, c. 1931–37

Horace Pippin

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