Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of brush and gray wash, over graphite, on buff laid paper, laid down on card.

The Offensive Triumph of Camillus, n.d.

Sawrey Gilpin

A work made of marble.

Bust of Mary Harris Thompson, MD, 1902

Daniel Chester French

A work made of silver.

Bowl, 1905–14

Kalo Shop (Firm)

A work made of silver.

Porringer, 1912–21

Lebolt and Company

A work made of stucco with traces of pigment.

Head of Buddha, 3rd-5th century

A work made of stucco.

Head of Buddha, 3rd-5th century

A work made of black crayon with touches of scraping, on cream wove paper.

The Jaws, Chicago, n.d.

Joseph Pennell

A work made of black wax crayon, with scraping and touches of charcoal, heightened with traces of white pencil, on cream wove paper.

Water Works Philadelphia, 1912

Joseph Pennell

A work made of black chalk on cream wove paper.

The British Ship, 1914

Joseph Pennell

A work made of silk and gold-leaf-over-lacquered-paper strips, complex gauze weave with supplementary brocading wefts.

Unusual Ôsodemone-Style Garment, late Edo period (1789–1868), 1801/25

A work made of silk and gold-leaf-over-lacquer-paper strips, complex gauze weave with supplementary brocading wefts and self-patterned by areas of 1:2 'z' twill interlacing; lined with silk, plain weave; dyed with beni, safflower.

Chôken (Noh Costume), late Edo period (1789–1868), 1825/1875

A work made of silk and gold-leaf-paper strips, warp-float faced 7:1 satin weave with plain interlacing of secondary binding warps and supplementary patterning wefts; stiffening: reeds covered with paper, plain weave; lining: silk, plain weave; ties: silk over cotton, plain weave over plain weave; edges: couched with silk.

Hangiri (Noh Costume), Meiji period (1868–1912), 1875/1900

A work made of silk and gold-leaf-over-lacquered-paper strips, complex gauze weave with supplementary brocading wefts.

Chôken (Noh Costume), 1901/25, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of polychromed wood with reliefs, crystal and iron.

Oxalá, 2007

Emanoel Araujo

A work made of wood.

Sculpture, 1951

Ernest Mancoba

A work made of silk and gold-leaf-over-lacquered-paper strips, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; back stiffened with reeds, plain weave; covered with paper; lined with silk, plain weave; ties: silk, plain weave; braided cords.

Hangiri (Noh Costume), 1801/25, late Edo period (1789–1868)

A work made of painted leather and fabric.

Eshu (The Trickster), 1971

Betye Saar

A work made of silk, plain weave; patterned with resist dyeing, impressed gold leaf, and embroidered with silk in satin, single satin, surface satin and stem stitches; couching; lined with silk, plain weave; center back panels of silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave.

Nuihaku (Noh Costume), Momoyama period (1568–1615), 16th century

A work made of ink, powdered pigment and fixative on brown wove paper mounted to board.

American Costume, 1970

David Hammons

A work made of gouache, with touches of graphite, on illustration board.

Study for Aspects of Negro Life: The Negro in an African Setting, 1934

Aaron Douglas

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