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A work.

Fragment (Possibly From a Tunic), 600/1532 A.D.

A work made of etching, handcolored on cream laid paper (discolored to buff).

La Balsamine (Impatiens, from the Collection des plantes usuelles, curieuses, et etrangeres), 1767

Jacques Fabien Gautier d'Agoty

A work made of cotton, plain weave; embellished with feathers (likely from chilean flamigos, macaws, and muscovy ducks) knotted and attached with cotton in overcast stitches.

Half of a Tabard, 1250-1450

A work made of etching,stipple, and roulette with handcoloring with typeset attachment on ivory laid paper.

La Pervenche de Java (The Perwinkle of Java, from the Collection of Usual, Curious, and Foreign Plants), 1767

Jacques Fabien Gautier d'Agoty

A work made of cotton, plain weave, with double warps and single wefts; embellished with feathers (likely from great or snowy egrets, muscovy ducks,chilean flamigos, and macaws) knotted and attached with cotton in back stitches.

Half of a Tabard, 1400-1532

Chimú

A work made of etching on ivory laid paper.

Nymph Riding on a Satyr's Back, from Bacchanales, or Satyrs' Games, 1763

Jean Honoré Fragonard

A work made of mezzotint and etching in brown on ivory wove paper.

Little Devil's Bridge, plate 19 from Liber Studiorum, published March 29, 1809

Joseph Mallord William Turner

A work made of mezzotint and etching in brown on ivory wove paper.

From Spenser's Fairy Queen, plate 36 from Liber Studiorum, published June 1811

Joseph Mallord William Turner

A work made of etching on ivory laid paper.

Nymph Sitting on the Hands of Two Satyrs from Bacchanales, or Satyrs' Games, 1763

Jean Honoré Fragonard

A work made of engraving on silk, laid down on ivory laid paper.

Jacques de la Faille, 1580

Hendrick Goltzius

A work made of engraving on silk.

The Mocking, Flagellation, and Crucifixion of Christ, 1615

Jacob Matham

A work made of engraving on silk.

Maurits, Prince of Orange-Nassau, 1618

Willem Jacobsz. Delff

A work made of engraving on silk.

Josina Hamels, 1580

Hendrick Goltzius

A work made of plant fibers.

Hat/Headdress (emata), Possibly early 20th century

Nkutshu

A work made of plant fibers, cane(?), cowrie shells, copper tacks, plastic buttons.

Hat/Headdress (nlo-o-ngo), Possibly 19th century

Fang

A work made of beads.

Neck Collar

Maasai

A work made of copper alloy.

Scepter, Probably early 20th century

Senufo

A work made of wood and pigment.

Female Face Mask (Gu), Early 20th century

Guro

A work made of raffia palm fiber and shells.

Chief’s Hat (Mpu a Nzim), Early to mid-20th century

Mbala

Mask with protruding stylized elephant trunk, red feather pom-pom, attached beard.

Helmet Mask (Mukenga), Possibly late 19th to mid -20th century

Kuba

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