Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of glass.

Amulet of a Left Eye, New Kingdom–Late Period (about 1550–332 BCE)

Ancient Egyptian

A work made of faience.

Tyet (Isis Knot) Amulet, Late Period, Dynasty 26 (664–525 BCE)

Ancient Egyptian

A work made of faience.

Djed-Pillar Amulet, Ptolemaic Period (332–30 BCE)

Ancient Egyptian

A work made of hematite.

Amulet of Two Fingers, Late Period (664–332 BCE)

Ancient Egyptian

A work made of gold.

Double Crown Amulet, Ptolemaic Period (332–30 BCE)

Ancient Egyptian

A work made of faience.

Winged Scarab Amulet, Late Period, Dynasty 26 (664–525 BCE)

Ancient Egyptian

A work made of glass, mosaic technique.

Fragment of an Inlay in the Shape of a Broad Collar, Roman Period, 1st century BCE–1st century CE

Ancient Egyptian

A work made of glass.

Inlay Depicting the Face of a King, Ptolemaic Period (332–30 BCE)

Ancient Egyptian

A work made of linocut on gray laid paper.

La Presa, 1952

Elizabeth Catlett

A work made of cartonnage, gold leaf, and pigment.

Funerary Mask, Late Ptolemaic Period-early Roman Period, 1st century BCE

Ancient Egyptian

A work made of faience beads on bast fiber (probably linen).

Bead Net Funerary Shroud, Late Period, Dynasty 26 (664-525 BCE)

Ancient Egyptian

A work made of cartonnage, gold leaf, and pigment.

Funerary Mask, Late Ptolemaic Period-early Roman Period, 1st century BCE

Ancient Egyptian

A work made of patterned side: silk, plain weave; stenciled and resist dyed; lined with silk, plain weave; interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; silk-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

A work made of silk, warp-float faced 7:1 satin weave self-patterned by ground wefts bound in weft-float faced 1:3 'z' twill interlacings.

Panel (Furnishing Fabric), Late Ming (1368–1644) or early Qing dynasty (1644–1912), 17th century

A work made of silk and gold-leaf-over-lacquered-paper-strips, satin damask weave with patterning and brocading; wrapped over cardboard and backed with paper; applied label of silk, plain weave; with inscribed title painted and/or printed with ink.

Sutra Cover, Ming dynasty (1368–1644), c. 1590s

Cloth fragment of dress, blue and brown floral design in circular patterns.

Fragment (Dress Fabric), Tang dynasty (CE 618–906), late 8th/early 9th century

A work made of silk and gold-leaf-over-lacquered-paper strip, plain weave with supplementary brocading wefts bound in plain interlacings.

Sutra Cover, Ming dynasty (1368–1644), c. 1590's

Silver bell-shaped saucepan with ebony handle, everted foot and domed lid. Vessel's body is engraved with

Brandy Saucepan, 1787/88

Hester Bateman

A work made of silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and peacock feathers, slit tapestry weave with interlaced outlining wefts; painted details; edged with silk, warp-float faced 7:1 satin weave; top facing edged with silk, plain weave; lined with silk, plain weave.

Buddhist Monk's Cape (Incomplete), Qing dynasty (1644–1911), 1650/1700

<<<117118119120 >>>