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A work made of chromogenic print.

Untitled, 1977

Jane Smith

A work made of chromogenic print.

August 30, 1979, August 30, 1979

Jane Smith

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with secondary binding warps, supplementary brocading wefts, and self-patterned by areas of twill interlacing.

Panel, c. 1735/36

A work made of silk, satin weave; with supplementary binding warp and patterning weft tied in twill and plain weave.

Panel, Directoire period, 1795/99

A work made of dye imbibition print.

Grand Canyon, Arizona, 1967

Eliot Porter

A work made of silk, warp-float faced satin weave, with areas of twill and plain weave, weft floats.

Panel, Directoire period, 1795/99

A work made of wool, patchwork of double interlocking 2:2 's' twill tapestry weaves; outer border and "harlequin" tabs of patchwork in 2:2 's' and 'z' twill weaves; embroidered in feather, fly, satin, and stem stitches; couching; warp fringe.

Shawl, 1867/77

A work made of cotton and rayon (creped yarn), combined twill weave; band of twill orders: weft-float faced twill; twill; warp-float faced twill.

Panel (Upholstery Fabric), 1948/49

Gladys Rogers Brophil

A work made of silk, satin weave with twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts.

Border, Empire period, c. 1810

A work made of silk, plain weave with gilt-metal-strip facing wefts and supplementary pile warps forming cut voided velvet.

Panel, 1575/1600

A work made of silk, wool and cotton, warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings and 1:3 and 2:2 'z' twill interlacings; attached side borders: warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; attached ends and fringe of wool, weft-float faced 1:2 'z' twill weave; main warp fringe; woven on loom with jacquard attachment.

Long Shawl, 1810-25

A work made of silk and wool, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:2 'z' twill weave; patterned areas of two layers of complementary weft plain weave; main warp fringe; woven on loom with jacquard attachment.

Square Shawl, 1850/75

A work made of wool, pieced twill weaves; embroidered in back, buttonhole, fishbone, satin, and stem stitches; laid work and couching; main warp fringe.

Shawl, 1801/50

A work made of silk and wool, center of weft-float faced 1:3 'z' twill weave; patterned areas of warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; woven on loom with jacquard attachment.

Long Shawl, c. 1850

A work made of gelatin silver print.

Soldiers in Truck in Front of National Museum, August 21, 1968, printed 2010

Paul Goldsmith

A work made of gelatin silver print.

Weary Russian Soldier on Tank, August 21, 1968, printed 2010

Paul Goldsmith

A work made of gelatin silver print.

A Yard Crew Keeps Warm and Waits Between Jobs in a Converted Car in the Yard, No. 6 from the portfolio "Railroad Men", c. 1957

Simpson Kalisher

A work made of gelatin silver print.

New York, NY, 1977

Dawoud Bey

A work made of gelatin silver print.

New York, NY, 1977

Dawoud Bey

A work made of gelatin silver print.

Pond, Meyer’s Ranch, Yosemite, 1940

Edward Weston

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