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A work made of oil on canvas.

Still Life, 1926

Fernand Léger

A work made of oil on linen.

In Lovely Blueness No. 2, 1955/56

Sam Francis

Abstract painting of bright rectangles in various sizes, in shades of light and dark orange as well as yellow, blue, lime green, and pink. A small white, amorphous shape sits at top center.

The Golden Wall, 1961

Hans Hofmann

A work made of watercolor, with touches of gouache, over graphite, on off-white wove paper.

On the Balcony, 1871/72

Berthe Morisot

A work made of charcoal on tracing paper.

Church of Neviges, Velbert, Germany, 1965

Gottfried Böhm

A work made of silk, linen, and gilt-animal-substrate-wrapped linen, weft-faced three-color complementary weft twill weave with inner warps.

Fragment, 13th/14th century

A work made of silk and gilt-animal-substrate-wrapped silk, bands of plain weave with inner warps and complementary weft plain weave with inner warps.

Fragment from the Mantle of Don Felipe, 1275-1300

Islamic

A work made of oil on panel.

Meekness, 1650

Eustache Le Sueur

A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of pieced of 12 strips of cotton, warp stripe plain weave with supplementary patterning and brocading wefts and self-patterned by bands of ground weft-floats.

One of Pair of Kente Wrappers, Mid–20th century

Ewe

A work made of pieced of 15 strips of cotton, warp striped plain weave with supplementary patterning and brocading wefts and self-patterned by bands of ground weft-floats.

One of Pair of Kente Wrappers, Mid–20th century

Ewe

A work made of .1: pieced of 15 strips of cotton, warp striped plain weave with supplementary patterning and brocading wefts and self-patterned by bands of ground weft-floats .2: pieced of 12 strips of cotton, warp striped plain weave with supplementary patterning and brocading wefts and self-patterned by bands of ground weft-floats.

Woman's Kente Wrappers, Mid–20th century

Ewe

A work made of etching and drypoint with foul biting in black ink on ivory laid paper altered to light brown.

Old Battersea Bridge, 1879

James McNeill Whistler

A work made of etching with foul biting in black ink on ivory laid paper.

The Visitors' Boat, 1887

James McNeill Whistler

A work made of tempera on panel.

Saints John the Baptist and Catherine of Alexandria, c. 1350

Workshop of Paolo Veneziano

A work made of wool (camelid), plain weave; embroidered in stem stitches; corners edged with weft-faced plain weave with extended ground weft fringe and embroidered in cross-knit loop stitches.

Mantle, 100 BCE-200 CE

Paracas

A work made of photographic reproduction (poster).

Who Was Smedley Butler?, 1985

Esther Parada

A work made of dye imbibition print.

Milk Drop Coronet, 1957

Harold Eugene Edgerton

A work made of gelatin silver print.

Negro Children in Watermelon Wagon, c. 1950/60

Joanne Marten

A work made of gelatin silver print.

Muriel Draper, n.d.

George Platt Lynes

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