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A work made of etching and engraving on heavy ivory laid paper.

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

The Giant Wheel, plate 9 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

The Staircase with Trophies, plate 8 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

The Drawbridge, plate 7 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Ponte Lugano on the Anio, from Views of Rome, 1763, published 1800–07

Giovanni Battista Piranesi

A work made of waxed paper negative.

Untitled (Still life with a statuette of the Venus de Milo), 1852-53

John Beasley Greene

A work made of graphite and colored pencils over black line print on japanese paper.

Ebsworth Chapel, Seattle, Washington, Perspective, 2006

Tadao Ando

A work made of foam.

Ebsworth Chapel, Seattle, Washington, Model, 2006

Tadao Ando

A work made of foam.

Ebsworth Chapel, Seattle, Washington, model, 2006

Tadao Ando

A work made of brush and black ink on white japanese paper.

Farnsworth House, 2009

Tadao Ando

A compilation of design drawings and a photograph of a flat-roofed house with dramatic vertical and horizontal architectural details, including tall glass windows.

House in Chicago, Design Drawings, c. 1992–1998

Tadao Ando

A work made of gelatin silver prints (15), montage.

Chicago, 1965; printed and assembled 1990

Danny Lyon

A work made of gelatin silver print.

Albany, Georgia, 1962

Danny Lyon

Black-and-white photograph down an uphill urban street with neon lights. White police watch a group of black women and men cross the street.

Danville, Virginia, 1963

Danny Lyon

Black-and-white photograph of a dozen white men sitting on the sidewalk against a brick building as though watching something. Beyond them in the same line, a number of black people and a white person stand against the same wall, also watching, visible from the neck down.

Danville, Virginia, 1963

Danny Lyon

Black-and-white photograph of a police officer grabbing his crotch for the camera. Near him outdoors are other casually posed officers, some smoking. One leans against a white car parked in profile that takes up the right half of the image.

The Police at Clarksdale, Mississippi, 1963

Danny Lyon

Black-and-white photograph of three police in helmets standing in front of a wooden house. The one in the middle wears a wide-brimmed hat, his back to us as though writing. The other two flank him, wearing helmets and carrying rifles with bayonets.

Cambridge, Maryland, 1964

Danny Lyon

A work made of gelatin silver print.

Demonstrations at an “All-White” Swimming Pool in Cairo, Illinois, 1962, printed 2010

Danny Lyon

A work made of gelatin silver print.

The Police at Clarksdale, Mississippi, 1963, printed 2010

Danny Lyon

A work made of gelatin silver print.

Atlanta, Police Car Window, 1963, printed 2010

Danny Lyon

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