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A work made of hand-colored woodblock print.

Nitten, 15th century

A work made of framed; ink and color on silk.

Huntsman, Horse and Dogs, Ming Dynasty 1368–1644

A work made of hand-colored woodblock print.

Rasetsu-ten, 15th century

A work made of ink and light color on silk.

Six Horses Grazing, Ming dynasty (1368–1644)

A work made of red stoneware with white feldspathic glaze and underglaze iron-wash decoration.

Shino-Ware Jar, 1950s

Kitaôji Rosanjin

A work made of glazed stoneware.

Water jar (Mizusashi), Early-mid-20th century

Kitaôji Rosanjin

A work made of hand-colored woodblock print.

Gatten, 1407, Muromachi Period 1333–1573

A work made of oil on canvas.

Portrait of a Man, 1625–30

Follower of Anthony van Dyck

A work made of oil on canvas.

Fête Champêtre, 1725/1750

French

A work made of six-fold screen; ink, color and gold on paper.

Court scene, 18th–19th century

A work made of framed painting; ink and colors on silk.

Blue Vase with Loquats, Flowers, and Grass, Qing dynasty (1644–1911)

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Landscape with Figures, c. 1870

Narcisse Virgile Diaz de la Peña

A work made of chromogenic print.

Sunday, Sitting on the Bank of Butterfly Meadow, 2013

Wardell Milan

A work made of monotype in brown and pen and brown and red ink, with printed fabric collage element, on ivory wove handmade paper, prepared with watercolor washes.

Untitled, 1986

Hannelore Baron

A work made of gelatin silver print.

Blood and Rose, Tokyo, 1969, printed 1974

Shomei Tomatsu

A work made of gelatin silver print.

Tokyo, 1960, printed 1980s

Shomei Tomatsu

A work made of silver dye-bleach print.

Miyako Island, Okinawa, 1979, printed 1992

Shomei Tomatsu

A work made of color lithograph on cream wove paper.

The Gazebo, 1909/10

Carl Schnebel

A work made of black porcelain.

Black Gold Coffee Pot, 2002

Ineke Hans

A work made of inkjet print.

Chicago Elm Trunks series, #1, 2001

Esther Parada

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